Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Charlotte Lennox | CL
won the enduring friendship of Samuel Johnson
and Samuel Richardson
. (With Johnson she quarrelled at least once, and he took pains to heal the breach.) She introduced Giuseppe Baretti
to Johnson, and had... |
Friends, Associates | Charlotte Lennox | She met Sarah Fielding
at Richardson's house, and became friendly also with Henry Fielding
, Saunders Welch
(the philanthropist, who later offered her employment), and Lord Orrery
. She was presumably the Mrs Lenox with... |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Elizabeth B. Lester | This title-page quotes from William Falconer
and the Latin poet Martial
. The novel opens on the usually flighty Philippa Egerton contemplating her imminent marriage to Sir Thomas Clervaux, whose chief talent is for dancing... |
Intertextuality and Influence | Elizabeth Strutt | The title-page quotes Shakespeare
: later on Pope
, Thomson
, Thomas Tickell
, Charles Cotton
, and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central... |
Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
Intertextuality and Influence | Jennifer Johnston | Its story relates in flashback the life of strong-minded, unsuccessful writerConstance Keating, who has always been something of a misfit to her Irish family. The book opens with a letter she sends to Jacob Weinberg... |
Intertextuality and Influence | Iris Murdoch | The central plot features the relationship between two writers: Bradley Pearson, whose severe standards have caused him to suffer from writer's block, and Arnold Baffin, a more facile and popular author, discovered by Pearson. Baffin's... |
Intertextuality and Influence | Emma Robinson | Finding hisprogress in a noble art Athenæum. J. Lection. 858 (1844): 311 |
Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
Intertextuality and Influence | Isabella Kelly | The title-page quotes from Shakespeare
: lines from Othello and Macbeth, about prison and murder. The heroine, Ethelinde, grows up in a poor cottage (among woods and pastures, close by the ruined priory in... |
Intertextuality and Influence | Mary Julia Young | The earlier Adelaide and Antonine, whose lovers take refuge from the French Revolution in England, is balanced by Agnes, or The Wanderer, whose protagonist (another Revolution victim) is ordered by her doomed husband... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
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