William Shakespeare

-
Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth Strutt
The title-page quotes Shakespeare : later on Pope , Thomson , Thomas Tickell , Charles Cotton , and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central...
Intertextuality and Influence Mrs F. C. Patrick
MFCP 's title-page quotes Shakespeare . Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of...
Intertextuality and Influence Emma Robinson
Finding hisprogress in a noble art
Athenæum. J. Lection.
858 (1844): 311
unjustly barred, he now writes bitterly of the way that intellectual property is downgraded and exploited in contrasted with all real property, which is...
Intertextuality and Influence Ngaio Marsh
NM based the overpowering Lamprey family on an actual family of old friends who were a presence both in New Zealand and in England: Tahu Rhodes and his wife Helen or Nelly (a peer's daughter)...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Intertextuality and Influence Bernardine Evaristo
BE substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family...
Intertextuality and Influence Candia McWilliam
Matters begin to come to their melodramatic head when Margaret comes to Daisy to complain, with passionate if suppressed rage, that the cleaners have been in her room while she was in London. It emerges...
Intertextuality and Influence Mary Julia Young
The earlier Adelaide and Antonine, whose lovers take refuge from the French Revolution in England, is balanced by Agnes, or The Wanderer, whose protagonist (another Revolution victim) is ordered by her doomed husband...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...
Intertextuality and Influence Edith Mary Moore
The title-page quotes from Shakespeare (What's past is Prologue) and Cicero (That cannot be said too often which is not yet understood).
Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935.
prelims
The chapters run from Women and the Struggle...
Intertextuality and Influence Caryl Churchill
The 1986 deregulation of the stock market—the Big Bang—by fortunate coincidence
Churchill, Caryl. Serious Money. Revised and Re-issued Edition in the Methuen Modern Play Series, Methuen, 1990.
prelims
took place during the play's workshop and development period. The play centres on a corporate takeover, which functions allegorically: a corporate raider...
Intertextuality and Influence Antonia Fraser
For readers familiar with the Shakespeare comedy (as Jemima certainly is), parallels are discernible between the personages and situations on stage and those of the actual world—parallels which are unsettling rather than helpful for Jemima...
Intertextuality and Influence Mrs F. C. Patrick
MFCP 's title-page quotes Aulus Gellius . Her preface claims that she is merely editing an authentic manuscript, and that the preface is her only original contribution to the book. She also claims to have...
Intertextuality and Influence Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006.
34
In tracing the story to before the Act...
Intertextuality and Influence Mary Stewart
The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer , Spenser , Shakespeare , Robert Browning

Timeline

Texts

No bibliographical results available.