Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Judith Kazantzis | Sister Invention is a new name for or new concept of that creative power that has sometimes been called the Muse, which recalls the way St Francis
would address non-human beings as brothers. JK
writes... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Edna O'Brien | The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in... |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | Aldous Huxley | Brave New World (titled from the words of Shakespeare
's Miranda on her first sight of human social community) is in some ways remarkably prescient, in its forecast of extra-uterine pregnancy and a universal drug... |
Intertextuality and Influence | Sarah Scudgell Wilkinson | The title-page quotes Shakespeare
's Macbeth. A vivid, to-the-moment opening introduces a tale of revenge and restored inheritance. Add another fagot [sic] to the fire, and replenish the flask, said the aged Martin to... |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. qtd. in Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets, 1995. 28 |
Intertextuality and Influence | Anna Brownell Jameson | Characteristics of Women is the first thorough treatment of Shakespeare
's oeuvre from a woman-centred perspective, notwithstanding its opening assertion that women in general are intellectually inferior to men. Jameson, Anna Brownell. Shakespeare’s Heroines: Characteristics of Women, Moral, Poetical, and Historical. A. L. Burt. 1 |
Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
Intertextuality and Influence | Sarah Fielding | This is a work of fiction, not documentary. It relates the stories of four ex-prostitutes sympathetically, presenting a strong argument for social reform. According to scholar Katherine Binhammer
, it is the most feminist among... |
Intertextuality and Influence | Regina Maria Roche | Critic Amanda Burgess
sees this as perhaps the earliest example of the Irish national tale, and of a shift in RMR
's literary focus from England to Ireland which coincided with her own move in... |
Intertextuality and Influence | Georgiana Fullerton | The novel's title foregrounds GF
's perhaps fantastic extrapolation from history, justified in the Introduction with the assertion that Truth and fiction are closely blended in this tale. . . . Those who are sometimes... |
Intertextuality and Influence | Iris Murdoch | As often, Murdoch has a canonical text in mind for reworking: in this deeply unsettling novel it is Shakespeare
's Much Ado About Nothing. (One scene also recalls the book of Job.) But... |
Intertextuality and Influence | Catherine Gore | The title-page quotes Shakespeare
's Richard II about the deposing of a king. The novel opens with precision: at five o'clock on 22 June 1791, with aristocrats fearful for their fate in the aftermath of... |
Intertextuality and Influence | Ketaki Kushari Dyson | KKD
's concern about the treatment of women is further exemplified in her poem on the fetishization of Sylvia Plath
's suicide, Myths and Monsters. Dyson suggests that Plath's martyrdom occurred out of a... |
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