William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Felicia Hemans
The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch , Shakespeare , Milton , and Germaine de Staël . FH
Intertextuality and Influence Flora Thompson
She opened with remarkable clarity, confidence, and accuracy for an entirely self-taught critic: Before Jane Austen began to write, the novelists of her day had depended on involved plot, sensational incident, and the long arm...
Intertextuality and Influence Eleanor Sleath
At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...
Intertextuality and Influence Dorothea Primrose Campbell
DPC was one of those claiming serious status for the novel by literary allusion. She uses Horace on her title-page, Pope to head the whole novel, and for chapter-headings Chaucer , Shakespeare , Goldsmith ...
Intertextuality and Influence Barbara Hofland
The title-page (like several earlier ones of BH ) quotes Shakespeare . The novel opens in 1726, with Catherine the first holding court in Russia after Peter the Great 's death. She had come to...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Intertextuality and Influence Antonia Fraser
Jemima here makes her first attempt to be a detective as a fifteen-year-old convent schoolgirl. While many of these pieces, like the sardonically titled Have a Nice Death, are indeed murder stories, On the...
Intertextuality and Influence Mrs Martin
Indeed, as in MM 's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator...
Intertextuality and Influence Michelene Wandor
The four characters, who meet periodically, chat, complain, and reminisce. They also rehearse as the witches in Shakespeare 's Macbeth. They dance, they backchat. To a happy retirement, Katie. . . . To gravetime...
Intertextuality and Influence Jane Owen
That JO intended to publish is suggested by her dedication To the Worthy and Constant Catholickes of England—especially, she says, rich ones.
Owen, Jane. Jane Owen. Editor Latz, Dorothy L., Ashgate, 2000.
prelims
She expresses conventional humility, asking her readers to pardon I pray...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago, 1983.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...
Intertextuality and Influence Ada Leverson
This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart suggests that the title alludes to Shakespeare 's Twelfth Night; it also, paradoxically...
Intertextuality and Influence Edna St Vincent Millay
She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a...
Intertextuality and Influence Zadie Smith
The book's epigraph from Shakespeare 's The Tempest (What's past is prologue)
qtd. in
Smith, Zadie. White Teeth. Penguin, 2001.
prelims
provokes the narrator's question, how far back do you want? How far will do?
Smith, Zadie. White Teeth. Penguin, 2001.
83
What's past in this book...

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