Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Radcliffe | Influences on AR
's writings include the opera, contemporary travel writers, and Joseph Priestley
's Course of Lectures on Oratory and Criticism, 1777. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 67 |
Intertextuality and Influence | Sarah Grand | This novel, like the others in the trilogy, is set in the fictionalised Norwich: Morningquest. SG
opened it with a quotation from Emilia in Shakespeare
's Othello, claiming the right and duty to... |
Intertextuality and Influence | Rachel Hunter | The preface opens by quoting Johnson
's view of Shakespeare
as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a... |
Intertextuality and Influence | Angela Carter | According to Linden Peach
, the writings of Bertolt Brecht
and Mikhail Bakhtin
influenced AC
's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went... |
Intertextuality and Influence | Anne Sexton | She titled the volume from the words of Shakespeare
's character Macduff when he hears of the murder of his wife and children; this borrowing was suggested by James Wright
. Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991. 163 |
Intertextuality and Influence | Teresia Constantia Phillips | TCP
placed on the title-page of her Apology a quotation from Nicholas Rowe
's The Fair Penitent, the period's most famous treatment of a woman who is deserving although fallen. She later emphasises her... |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Intertextuality and Influence | Roxburghe Lothian | RL
sets out to portray Dante and Beatrice's relationship in the context of the social and political conditions that surrounded them, while simultaneously arguing that the Divina Commedia emerged from this real love, this... |
Intertextuality and Influence | Henrietta Rouviere Mosse | The title-page quotes Shakespeare
, who is then cited in the preface to justify the genre of historical fiction. HRM
mentions her consultations of records and documents, and expresses her thanks to the gentlemen of... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Rumer Godden | Its setting is Catford Street, an ordinary, poor street in shabby postwar London, and the elegant Square round the corner. Its protagonist is a child waif, Lovejoy Mason; RG
's theme is the childhood... |
Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
Intertextuality and Influence | Olivia Manning | Her title, supplied by Reggie Smith Braybrooke, Neville, and Isobel English. Olivia Manning: A Life. Chatto and Windus, 2004. 116 |
Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
Intertextuality and Influence | Angela Carter | The action in the novel takes place over one day, in which the two elderly actresses Dora and Nora Chance (who are twin sisters) are celebrating their seventy-fifth birthday. They share their birthdate with their... |
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