William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Eleanor Sleath
At this point Gertrude hears a noise in her late husband's room; Ethelind sees a mysterious armed personage resembling him; Winifred sees a tall, white figure; Ormond offers to lie in wait for the ghost...
Intertextuality and Influence Sarah Green
The plot owes something to Charlotte Lennox 's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney , then Radcliffe , then Owenson , then Rosa Matilda
Intertextuality and Influence Jane West
JW 's preface invokes Shakespeare , Virgil , Homer , and Sir Walter Scott (she later adds Thomas Percy ) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry
Intertextuality and Influence Naomi Jacob
The book is headed by a quotation from As You Like ItWilliam Shakespeare : Cupid hath clapped him on the shoulder.
qtd. in
Jacob, Naomi. The Man who Found Himself. Robert Hale, 1973.
prelims
It opens with Billie Briscoe, a music-hall comedian, hating himself, hating his profession, thinking...
Intertextuality and Influence Dorothy L. Sayers
The academic background gives DLS an excuse for lavish literary quotation: from Greek, from Shakespeare and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe . Her Oxford is the preserve...
Intertextuality and Influence Eliza Kirkham Mathews
The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft , and its epigraphs to...
Intertextuality and Influence Hélène Cixous
The book does not reach complete closure in a traditional sense, but the narrator does sense that her father has come back to her consciousness for the last time. She finds solace in her voice:...
Intertextuality and Influence Grace Aguilar
GA defends her central subject (which eclipses the requisite romances in the plot) in these terms: if Shakspeare scorned not to picture the sweet influence of female friendship shall women pass it by as a...
Intertextuality and Influence Frances Power Cobbe
The theoretical essay with which FPC headed Josephine Butler 's landmark collection Woman's Work and Woman's Culture, 1869, launches out with wit: Of all the theories current concerning women, none is more curious than...
Intertextuality and Influence Maureen Duffy
While the present-day plot produces a series of surreal confrontations, it is punctuated by a string of glimpses into the past. These begin when Swanscombe Man (the prehistoric human whose bones are the earliest evidence...
Intertextuality and Influence Elizabeth Heyrick
Both the title-page and the body of the work quote (unascribed) lines about social injustice spoken by Shakespeare 's King Lear (who has only just realised the rampant injustice of the world and of his...
Intertextuality and Influence Zadie Smith
The book's epigraph from Shakespeare 's The Tempest (What's past is prologue)
qtd. in
Smith, Zadie. White Teeth. Penguin, 2001.
prelims
provokes the narrator's question, how far back do you want? How far will do?
Smith, Zadie. White Teeth. Penguin, 2001.
83
What's past in this book...
Intertextuality and Influence Sarah Murray
Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God...
Intertextuality and Influence Catherine Fanshawe
CF assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise?
Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons, 1865.
1
Her tireless parody is here directed at antiquarian and linguistic learning. Ostensibly, she demands to be wholly disassocated...
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...

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