William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Margaret Atwood
Several stories in Good Bones delight in giving something to say for themselves to literary characters generally understood to be beyond sympathy (the stepmother, the ugly sister, Gertrude in Shakespeare 's Hamlet). Others employ...
Intertextuality and Influence Rhoda Broughton
A Beginner tells the story of Emma Jocelyn, a young woman who writes a novel called Miching Mallecho. (The title, drawn from Hamlet, elicits the following exchange between Emma and her aunt in...
Intertextuality and Influence Ella Wheeler Wilcox
Without ever owning the complete works of Théophile Gautier , Alphonse Daudet , Shakespeare , Byron , or Swinburne , she read bits and pieces of them all, and they helped to shape her style...
Intertextuality and Influence Louisa Anne Meredith
Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)...
Intertextuality and Influence Regina Maria Roche
The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of...
Intertextuality and Influence Maria Jane Jewsbury
The book's first and longest piece, The History of an Enthusiast, is strongly influenced by Germaine de Staël 's novel Corinne; ou, L'Italie.
Fryckstedt, Monica Correa. “The Hidden Rill: The Life and Career of Maria Jane Jewsbury, II”. Bulletin of the John Rylands University Library of Manchester, Vol.
67
, No. 1, The Library, 1 Sept.–30 Nov. 1984, pp. 450-73.
451
Protagonist Julia Osborne is an orphan being brought up...
Intertextuality and Influence Catherine Gore
CG calls Quid Pro Quoa bustling play of the Farquhar , or George Colman school.
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34.
28
Her prologue makes the point that the rapidity of modern life, symbolised by the railway, leaves no time...
Intertextuality and Influence Sarah Kane
The language, entirely spare and unadorned, links the play on the one hand to contemporary television reports and on the other to the ancient mode of tragedy. Ian with his eyes put out unaffectedly recalls...
Intertextuality and Influence Ethel Mannin
Ragged Banners also addresses questions of genre. The text includes an index which lists on the one hand names of notable literary figures (including Ethel M. Dell , T. S. Eliot , and Shakespeare ...
Intertextuality and Influence Emma Jane Worboise
The title-page quotes Shakespeare on the marriage of true minds. This novel explores various motives for marriage and traces the experience of a group of married couples. It begins with the five Miss Phipson sisters...
Intertextuality and Influence Gillian Slovo
The epigraph is a statement about truth from Shakespeare 's Henry IV Part One. The protagonist of this novel, Sarah Barcant, was born in Smitsrivier, a dusty little South African town dominated by its...
Intertextuality and Influence Sarah Grand
This novel, like the others in the trilogy, is set in the fictionalised Norwich: Morningquest. SG opened it with a quotation from Emilia in Shakespeare 's Othello, claiming the right and duty to...
Intertextuality and Influence Rachel Hunter
The preface opens by quoting Johnson 's view of Shakespeare as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Intertextuality and Influence Bernardine Evaristo
BE substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family...

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