Greer, Germaine et al., editors. Kissing the Rod. Virago, 1988.
406-7
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Jane Wiseman | Also in 1701, before JW
's the play appeared, Abel Boyer
included in his Letters of Wit, Politicks and Morality several writings by her: letters (under the name of Daphne) to George Farquhar
and... |
Family and Intimate relationships | Susanna Centlivre | Stories about her early affairs with Anthony Hammond
and George Farquhar
probably arose from a desire to link her name with those of high-profile and romantic men. |
Friends, Associates | Catharine Trotter | During her London years she was an ally of Damaris Masham
, but quarrelled with Delarivier Manley
. She found both a patron and a friend in Sarah, Lady Piers
(who wrote poetry herself). She... |
Friends, Associates | Susanna Centlivre | SC
's friends included the dramatist George Farquhar
, the actress Anne Oldfield
, the writers Abel Boyer
, Tom Brown
, Sarah Fyge
, Sarah, Lady Piers
, and all the other women writing... |
Friends, Associates | Jane Wiseman | She was a friend and correspondent of George Farquhar
and the future Susanna Centlivre
; the fact that she addressed a poem to Aphra Behn
and that Abel Boyer
published letters by her may indicate... |
Intertextuality and Influence | Timberlake Wertenbaker | In another dazzling multiple frame of reference, TW
adapts The Playmaker, a novel by Thomas Keneally
whose action takes place in 1789, a year after the settlement of Australia, among a group of... |
Intertextuality and Influence | Hannah Cowley | The title, flagging a gender-role reversal from George Farquhar
's Beaux' Stratagem, 1707, suggests a return to the wit and worldliness of Restoration comedy. The sub-plot in which Sir George Touchwood tries to keep... |
Intertextuality and Influence | Mary Davys | MD
makes skilful use of letters to project character, political issues, and gender interaction. Her use of significant dates (All Saints' Day, November the fifth) links her with the prophetic tradition of Lady Eleanor Douglas |
Literary responses | Catharine Trotter | This was CT
's greatest success. The young George Farquhar
much admired it; it was even praised by Charles Gildon
. Greer, Germaine et al., editors. Kissing the Rod. Virago, 1988. 406-7 |
Literary Setting | Maureen Duffy | MD
intersperses Charke's work with a modern-day story-line. She alters Charke's first-person narrative to third-person, and when Charke, dressed as a man, is working as a waiter in a club, Duffy calls her not Charlotte... |
Textual Features | Catherine Gore | CG
calls Quid Pro Quoa bustling play of the Farquhar
, or George Colman
school. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 28 |
Textual Production | Judith Sargent Murray | About a year after seeing a successful performance of one of Hannah More
's Sacred Dramas, JSM
contributed her first theatre epilogue to an amateur performance at Gloucester in January 1790 of George Farquhar |
Textual Production | Susanna Centlivre | The allusion to Aphra Behn
is deliberate. SC
's correspondents included George Farquhar
. Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 19, 24ff |
Textual Production | Susanna Centlivre | Farquhar
contributed a prologue. The theatre again presented this as written by a man, and it was published as by the Author of The Gamester and Love's Contrivance (which had both appeared anonymously). SC
's... |
No bibliographical results available.