Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Selina Davenport | The title-page signals the novel's concern with evil and revenge by quoting Shakespeare'sOthello. The story turns on the efforts of the female villain Hippolita, otherwise known as Rosalie, to exact bloody vengeance for... |
Intertextuality and Influence | Julia Constance Fletcher | This is pure fun, heralded by the note below the cast-list: The Scene to take place wherever one pleases, provided the Costumes are pretty enough. There is only one female character: Sylvette, whom the cast-list... |
Intertextuality and Influence | Iris Murdoch | As often, Murdoch has a canonical text in mind for reworking: in this deeply unsettling novel it is Shakespeare
's Much Ado About Nothing. (One scene also recalls the book of Job.) But... |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Zadie Smith | The book's epigraph from Shakespeare
's The Tempest (What's past is prologue) qtd. in Smith, Zadie. White Teeth. Penguin, 2001. prelims Smith, Zadie. White Teeth. Penguin, 2001. 83 |
Intertextuality and Influence | Pat Arrowsmith | PA
kept a very detailed diary between the ages of thirteen and fifteen. She published excerpts and illustrations from it, with passages from her two juvenile novels, in I Should Have Been a Hornby Train... |
Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
Intertextuality and Influence | Una Marson | Some of these early poems engage with familiar British texts. Her playful To Wed or Not to Wed is based on the most famous speech by Shakespeare
's Hamlet, and is not without a trace... |
Intertextuality and Influence | Elizabeth Baker | The play's impulsive young protagonist, Dorothy Archibald, opposes her parents' wishes by falling in love with a bank clerk who plays the violin. Critic Rudolf Weiss
has noted that the play is full of echoes... |
Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
Intertextuality and Influence | Jane West | JW
's preface invokes Shakespeare
, Virgil
, Homer
, and Sir Walter Scott
(she later adds Thomas Percy
) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry |
Intertextuality and Influence | Dorothy L. Sayers | The academic background gives DLS
an excuse for lavish literary quotation: from Greek, from Shakespeare
and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe
. Her Oxford
is the preserve... |
Intertextuality and Influence | Charlotte Charke | CC
closes with a last concealed theatrical reference: the hope that she will be able to pass in the Catalogue of Authors Charke, Charlotte, and Leonard R. N. Ashley. A Narrative of the Life of Mrs. Charlotte Charke. Scholars’ Facsimiles and Reprints, 1969. 277 |
Leisure and Society | Mary Anne Duffus Hardy | MADH
, like her daughter, was a keen theatre-goer and attender of concerts. She enjoyed the occasional melodrama, but preferred serious plays, and was delighted to discover that the New YorkShakespearean
repertoire was far... |
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