Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Harriet Beecher Stowe | Though HBS
was internationally recognized for her written works she was not, unlike many other contemporary literary figures, a frequent lecturer. While Dickens
, Samuel Clemens
(who published as Mark Twain), Julia Ward Howe
... |
Textual Production | Margaret Kennedy | In the years between the 1926 staging of The Constant Nymph and the appearance of Escape Me Never!, MK
co-wrote with Basil Dean
the play Come With Me (1934), and adapted Charles Dickens
's... |
Textual Production | Lucas Malet | In late 1887, bearing the date of 1888, appeared LM
's illustrated book Little Peter. A Christmas Morality. She supplied an introduction to Dickens
's Dombey and Son for the Waverley edition of his... |
Textual Production | Susan Hill | |
Textual Production | Alice Meynell | As a reviewer, AM
dealt with writing by Samuel Johnson
, Christina Rossetti
, George Eliot
, Emily Brontë
, Dickens
, Robert Browning
and Elizabeth Barrett Browning
, Jean Ingelow
, Charles Williams
,... |
Textual Production | Jean Plaidy | JP
had begun writing some years before this first publication. Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, 4 July 1991, pp. 23-4. 23 |
Textual Production | Florence Marryat | In a book entitled Tom Tiddler's Ground, FM
gave an account of her American tour of a couple of years before. The title Tom Tiddler's Ground had been used by Dickens
for a tale... |
Textual Production | Caroline Chisholm | From March 1852 to September 1853 a fictionalized version of CC
appeared as Mrs Jellyby in Charles Dickens
's novel Bleak House. Kiddle, Margaret, and Sir Douglas Copland. Caroline Chisholm. 2nd ed., Melbourne University Press, 1957. 165 Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989. 71 |
Textual Production | Lettice Cooper | LC
issued further biographies of eminent Victorians designed for young people: The Young Florence Nightingale, 1960, The Young Victoria, 1961, The Young Edgar Allan Poe, 1964, and A Hand Upon the Time... |
Textual Production | Frances Isabella Duberly | Selina was to have a free hand about printing this letter in as many papers as she liked, but preferably including the Daily News (the paper of Charles Dickens
and Harriet Martineau
) or the Herald. |
Textual Production | Q. D. Leavis | To mark the centenary of Charles Dickens
's death, QDL
and F. R. Leavis
published Dickens: The Novelist, their reassessment of his cultural significance, dedicated by each to the other. MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane, 1995. 369, 372 |
Textual Production | Anne Thackeray Ritchie | She ranges through much of literary history, paying attention to figures such as Anna Seward
and Mrs John Taylor
(mother of Sarah Austin
) as well as men like Charles Dickens
. Among her non-literary... |
Textual Production | Mary Angela Dickens | MAD
published Dickens' Dream Children, a volume of stories adapted for young readers about young characters in Charles Dickens
's fiction. Dickens, Mary Angela. Dickens’ Dream Children. Raphael Tuck & Sons, 1926. 3 |
Textual Production | Queen Victoria | Initially, Victoria was unreceptive to the idea of widespread publication of her journal extracts, arguing (according to Helps in his Editor's Preface) that she had no skill whatever in authorship; that these were, for the... |
Textual Production | Agatha Christie |
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