Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Frances Isabella Duberly | Selina was to have a free hand about printing this letter in as many papers as she liked, but preferably including the Daily News (the paper of Charles Dickens
and Harriet Martineau
) or the Herald. |
Textual Production | Caroline Chisholm | From March 1852 to September 1853 a fictionalized version of CC
appeared as Mrs Jellyby in Charles Dickens
's novel Bleak House. Kiddle, Margaret, and Sir Douglas Copland. Caroline Chisholm. 2nd ed., Melbourne University Press, 1957. 165 Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989. 71 |
Textual Production | Anne Thackeray Ritchie | She ranges through much of literary history, paying attention to figures such as Anna Seward
and Mrs John Taylor
(mother of Sarah Austin
) as well as men like Charles Dickens
. Among her non-literary... |
Textual Production | Mary Angela Dickens | MAD
published Dickens' Dream Children, a volume of stories adapted for young readers about young characters in Charles Dickens
's fiction. Dickens, Mary Angela. Dickens’ Dream Children. Raphael Tuck & Sons, 1926. 3 |
Textual Production | Queen Victoria | Initially, Victoria was unreceptive to the idea of widespread publication of her journal extracts, arguing (according to Helps in his Editor's Preface) that she had no skill whatever in authorship; that these were, for the... |
Textual Production | Q. D. Leavis | To mark the centenary of Charles Dickens
's death, QDL
and F. R. Leavis
published Dickens: The Novelist, their reassessment of his cultural significance, dedicated by each to the other. MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane, 1995. 369, 372 |
Textual Production | Agatha Christie | |
Textual Production | Q. D. Leavis | The great parts written by QDL
have not been identified, let alone the weight of her input overall, and scholars are divided over her claims to substantial co-authorship. In the same year, 1995, Ian MacKillop |
Textual Production | Marie Corelli | She was the first literary figure to speak to this society in Edinburgh since Charles Dickens
. The lecture was published by the Society
the following year, and later appeared as an essay in a... |
Textual Production | Q. D. Leavis | Here QDL
highlights Oliphant's anti-sentimental, critical view of Victorian county town insitutions and relations, and the comparatively independent, ironic attitude of the unstereotypical heroine, Lucilla Marjoribanks (large, strong, unsentimental, insubordinate to men and with... |
Textual Production | Anne Mozley | Bishop John Wordsworth
wrote in his posthumous memoir of AM
that no one out of her own family circle knew or even suspected that she practised authorship and editing work as an occupation. When she... |
Textual Production | Beryl Bainbridge | She later said the non-realism of this tale had dissatisfied her. She acknowledged the influence on it of Dickens
and Robert Louis Stevenson
, and then judged that the best bits . . . have... |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Evelyn Sharp | In a prefatory note ES
explains that the experiences used in the book, including the six story-sketches, are all based on actuality: she credits Dickens
with purveying a better understanding of children than modern psychologists... |
Textual Production | Monica Dickens | Monica Dickens
wrote a Foreword to The London of Charles Dickens, published by the London Transport
Executive for the Dickens centenary. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
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