Eckhardt, Celia Morris. Fanny Wright. Harvard University Press, 1984.
12
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Christina Rossetti | This best-known poem has had myriad editions, often with illustrations, and generated a wide range of interpretation. It resonates powerfully with CR
's Anglicanism
, and more particularly her experience at the St Mary Magdalene Penitentiary |
Reception | Monica Furlong | Though she remained to some degree persona non grata with the Established Church
, MF
received an honorary doctorate in divinity from the EpiscopalianGeneral Theological Seminary
in New York, as well as an... |
Reception | Evelyn Underhill | EU
received most of her accolades during her lifetime. In addition to becoming the first woman both to lecture in religion at Oxford
and head retreats in the Anglican Church
, she was elected a... |
Residence | Frances Wright | The Mylnes had had charge of their brother during the years following their parents' deaths. The two Wright girls lived with them and their five children in a small college house. Eckhardt, Celia Morris. Fanny Wright. Harvard University Press, 1984. 12 |
Residence | Charlotte Maria Tucker | CMT
had always been deeply interested in India, where her father and many other relatives had built their careers. No less than five of the family were there at the time of the Mutiny.... |
Residence | Charlotte Maria Tucker | At his point in her life, her close relatives having either died or grown up, CMT
felt that she had no further family responsibilities and was free to devote herself to missionary work in India... |
Residence | Marie Belloc Lowndes | In late 1939, about seven weeks after the declaration of war, MBL
and her husband moved out of 9 Barton Street in central London to the suburban address of 28 Crooked Billet, near Wimbledon Common... |
Textual Features | George Eliot | The essay contributes, as critic Laurel Brake
has argued, to a continuing debate over gender both within the progressive Westminster itself and in mid-Victorian culture more broadly. Brake, Laurel. Print in Transition. Palgrave, 2001. 89, passim |
Textual Features | Jean Plaidy | JP
's tone is darker here: she portrays Henry as a tyrant and the various power-hungry and quarrelling families (the Seymours and the Howards) as self-serving weaklings. She does not paint Katherine (as in her... |
Textual Features | Charlotte Grace O'Brien | In 1869, the year that Gladstone disestablished the Church of Ireland
, she exclaims, Oh, noble face marked deep with inward strife! / Oh, steadfast eyes, through which thy soul looks out! In this first... |
Textual Features | Catherine Hubback | The later dangers which Agnes faces are chiefly theological: she moves towards Dissent
and specifically Presbyterianism
, but returns to the Church of England
, saved in part by a copy of The Christian Year... |
Textual Features | Monica Furlong | This book reflects MF
's wide reading and an impish sense of humour employed to help her and her readers live with the unacceptable. Each chapter comes headed by a very funny cartoon and a... |
Textual Features | Sophie Veitch | Though the title spotlights her alone, the heroine is set firmly in her social milieu: a coastal part of Scotland with a luxury estate on an offshore island called Moyle, all unknown territory to... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting qtd. in Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 161 |
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