Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Aemilia Lanyer | AL
suffered the fate of many early women writers in being not so much discouraged as ignored. Despite the presentation copies, it does not appear that her splendid poem had a wide circulation. When she... |
Literary responses | Stéphanie-Félicité de Genlis | SFG
's importance to the influential Mary Wollstonecraft
can be gauged from the way that Wollstonecraft used and built on her writings, recommended them, measured others by their standard, and also did not hesitate to... |
Literary responses | Charlotte Smith | The many editions of CS
's sonnets attest to their popularity. In one she mentions having to get back from friends the original manuscripts of poems which she had not bothered to keep. Her sonnets... |
Literary responses | Ethel M. Dell | |
Literary responses | Mary Lady Chudleigh | Editor Margaret Ezell
notes how several women readers copied MLC
's most celebrated poem, To the Ladies, into irrelevant volumes, which they presumably thought a more secure repository than scraps of paper for a... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
Literary responses | Augusta Webster | Both William Michael
and Christina Rossetti
greatly admired this play. William Michael called it the supreme thing amid the work of all British poetesses, Rossetti, William Michael, and Augusta Webster. “Introductory Note”. Mother and Daughter, Macmillan, 1895, pp. 11-14. 13 |
Literary responses | Anne Bradstreet | |
Literary responses | Elizabeth Barrett Browning | Aurora Leigh was, according to Barry Cornwall (father of Adelaide Procter
), the book of the season. Procter, Bryan Waller. An Autobiographical Fragment and Biographical Notes, with Personal Sketches of Contemporaries, Unpublished Lyrics, and Letters of Literary Friends. Editor Patmore, Coventry, Roberts Brothers, 1877. 113 |
Literary responses | Josephine Tey | The play garnered high praise from contemporary theatre critics, and was immensely popular with audiences, some of whom reputedly went to see it thirty or forty times. Gielgud, Sir John. Early Stages. Rev. ed., Falcon, 1948. 178 |
Literary responses | Michael Field | Edith and Katharine must have also been extremely pleased with the praise they received from the critics. A review in The Spectator heralded a new voice which is likely to be heard far and wide... |
Literary responses | Elizabeth Jennings | She held bursaries or grants from the Arts Council
(after the initial one for her first book) in 1965, 1968, and 1972. “Lauinger Library: Special Collections Division”. Georgetown University Library. |
Literary responses | Jane Austen | Some Austen news items are regrettable. In an interview with the Royal Geographical Society
in June 2011, V.S. Naipaul
, in asserting his own superiority to women writers (and claiming he could tell male from... |
Literary responses | Elizabeth Barrett Browning | Pronouncements about gender, which permeated the Victorian reception of poetry (or of poetry by women) are particularly inescapable in the reception of Aurora Leigh, which directly satirised the criticism of women writers and other... |
Literary responses | Enid Blyton | At the end of 2009 Jean Hannah Edelstein
enrolled herself in the ranks of ex-admirers and actual denigrators. She related in The Guardian how during her childhood her parents had operated a ban on Blyton... |
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