Dane, Clemence. London Has a Garden. Michael Joseph, 1964.
57-8
Connections Sort descending | Author name | Excerpt |
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Education | Emmeline Pankhurst | |
Education | Sarah Josepha Hale | |
Education | Clemence Dane | CD
later wrote: Of course education in the modern sense didn't exist in the 'nineties, but reading was early acquired. Dane, Clemence. London Has a Garden. Michael Joseph, 1964. 57-8 |
Education | Elizabeth Ham | At WeymouthEH
(while her family moved to the village of Upwey) attended Ma'am Tucker's school, first boarding with a neighbour and later at the school. The governess was a Presbyterian, for which... |
Family and Intimate relationships | Anne Mozley | Her father, Henry Mozley
, was a bookseller and publisher. As well as Anne herself, he published Jane Harvey
, Charlotte Yonge
, and new editions of Hester Chapone
's Letters on the Improvement of... |
Intertextuality and Influence | Charlotte Maria Tucker | An anonymous publisher in Stickney, South Dakota, put out an undated modern reprint. “The A.L.O.E. (Charlotte Maria Tucker) Resource”. Peter and Rachel Reynolds: Used Christian Books. |
Intertextuality and Influence | Ann Martin Taylor | The debt to Bunyan
's Pilgrim's Progress (often quoted here) is obvious. |
Intertextuality and Influence | Juliana Horatia Ewing | Child readers of Jackanapes sometimes remember better the portrait of a wild little boy, bold and generous but naughty in many ingenious ways, than the account of his heroic, self-sacrificing death in battle, with quotations... |
Intertextuality and Influence | Anne Steele | Surviving prose by AS
includes miscellaneous as well as predominantly religious pieces. The Journey of Life, reminiscent of John Bunyan
's The Pilgrim's Progress or Samuel Johnson
's Vision of Theodore, opens with... |
Intertextuality and Influence | Zadie Smith | The public unveiling of FutureMouse is a climactic scene that brings together most of the novel's central characters. It begins with a speech by Dr Marc-Pierre Perret, an experimental geneticist, Marcus Chalfen's mentor—whom as a... |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes, 1771. 31-2 Latter, Mary. Pro & Con. T. Lowndes, 1771. vii, 14 |
Intertextuality and Influence | Mary Bosanquet Fletcher | In this text of religious counsel, MBF
lists her topics as sub-headings uncharacteristic of an actual letter. She translates her correspondent's approaching journey into spiritual terms: I see you as a ship just launching into... |
Intertextuality and Influence | Eliza Lynn Linton | Her one-paragraph preface says these pieces were written long since,in the days of crinoline,croquet, and the violent purples of the then new aniline dyes. This places the period of composition in the 1860s, after... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. qtd. in Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, May 2017, pp. 38-77. 40 |
Intertextuality and Influence | Pamela Frankau | The book opens, Neilson walked over the bridge. Frankau, Pamela. The Bridge. Heinemann; Harper, 1957. 1 Frankau, Pamela. Pen to Paper. Heinemann, 1961. 66 |
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