Lady Mary Wortley Montagu

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Standard Name: Montagu, Lady Mary Wortley
Birth Name: Mary Pierrepont
Styled: Lady Mary Pierrepont
Nickname: Flavia
Nickname: Sappho
Married Name: Lady Mary Wortley Montagu
Indexed Name: Lady Mary Wortley Montagu
Pseudonym: Strephon
Pseudonym: Clarinda
Pseudonym: A Turkey Merchant
LMWM , eighteenth-century woman of letters, identified herself as a writer, a sister of the quill
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press, 1965–1967, 3 vols.
3: 173
haunted by the daemon of poetry. She wrote poems, essays, letters (including the letters from Europe and Turkey which she later recast as a highly successful travel book), fiction (including adult fairy-tale, oriental tale, and full-length mock romance), satire, a diary, a play, a political periodical, and a history of her own times. Not all of these survive. Best known in her lifetime for her poetry, she is today still best known for her letters.
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press, 1965–1967, 3 vols.
3: 173, 183

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Fanny Aikin Kortright
FAK 's literary allusions here are interesting. Thomas Hood 's The Song of the Shirt is cited more than once, though Kortright insists that the governess is worse off than the seamstress because she is...
Intertextuality and Influence Madeleine de Scudéry
Aphra Behn took from the Carte de tendre some of the topographical imagery of her verse-and-prose romance A Voyage to the Island of Love (which in turn was the model behind The Adventurer, written...
Intertextuality and Influence Elizabeth Beverley
The title-page further develops the ship image of the title into a full-blown allegory, a kind of commercialised version of the voyages to an island of love depicted by Madeleine de Scudéry , Aphra Behn
Intertextuality and Influence Emma Parker
EP says she has studied to avoid a dictatorial tone . . . considering herself rather as one of those [women] she is addressing.
Parker, Emma. Important Trifles. T. Egerton, 1817.
prelims
qtd. in
Feminist Companion Archive.
She writes as a strong-minded Christian, and makes use of...
Intertextuality and Influence Anne Burke
A quotation from Shakespeare 's The Tempest intruces an opening scene of storm and shipwreck on a lonely western coast. The only survivor, a six-month-old baby girl in a cradle, is rescued with a gold...
Intertextuality and Influence Mary Anne Schimmelpenninck
MAS adds a new aesthetic category, the contemplative sublime, alongside the Burke an or terrible sublime and other categories related to the Burkean beautiful. She derives her thinking from women as well as men. In...
Intertextuality and Influence Mary Astell
MA influenced a whole generation of writing women: Lady Mary Wortley Montagu , Mary Chudleigh , Elizabeth Thomas , Judith Drake , Damaris Masham (although Masham's opinions were markedly different), Elizabeth Elstob , and Jane Barker
Intertextuality and Influence Sappho
Sappho 's name was an honorific for women writers for generations. George Puttenham may have been the first to use it to compliment a writing woman: in Parthienades, 1579, he said that Queen Elizabeth
Intertextuality and Influence Julia Pardoe
JP compares her experience of Belgrade (then a part of the Ottoman Empire, now the capital of Serbia) to Lady Mary Wortley Montagu 's observations from over a century before. While she echoes Montagu in...
Intertextuality and Influence Lady Louisa Stuart
Despite family discouragement of her literary interests, with reference to the awful example of her grandmother (Lady Mary Wortley Montagu ), LLS , at the age of nine, had plans for writing full-length works...
Intertextuality and Influence Georgiana Cavendish Duchess of Devonshire
The feelings of this Emma are all in extremes. During her early passion she quotes Frances Greville on the pains of sensibility.
Devonshire, Georgiana Cavendish, Duchess of. Emma. T. Hookham, 1773, 3 vols.
1: 66
She and her father kneel alternately to each other when she...
Intertextuality and Influence Anna Atkins
This novel keeps its good and bad characters carefully distinct. Olive ministers to the fallen Mary; Matthew, when he gets an opportunity, strangles his wife. In due course follows a court scene, and he is...
Intertextuality and Influence Margaret Drabble
The heroine of this novel is unhappy in her marriage (two small children) to an ebullient and overbearing young actor. She is stuck with his theatre company in its seven-month season in Hereford (the birthplace...
Intertextuality and Influence Mariana Starke
The play's central theme was suttee or sati, the practice of burning a widow at her husband's death. The playbill advertised a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the...
Intertextuality and Influence Stéphanie-Félicité de Genlis
This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau 's Nouvelle Héloïse, the...

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