"Jane Austen" Retrieved from https://upload.wikimedia.org/wikipedia/commons/d/d4/Jane_Austen_coloured_version.jpg.
Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Ali Smith | Like most of AS
's work, this novel is playfully self-reflexive in its adherence to typical story structure. In a formulaic breakdown of essential narrative parts, The Accidental has a prescribed Beginning, Middle... |
| Intertextuality and Influence | Catherine Gore | Her topic here is the social complications that arise when a wife, unusually, has her own independent income. Vargo, Lisa. “Lodore and the Novel of Society”. Womens Writing, Vol. 6 , No. 3, 1999, pp. 425-40. 435 |
| Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
| Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
| Intertextuality and Influence | Margaret Atwood | The world before is a slightly exaggerated and unmercifully satirised version of today's reality: gated communities, vertiginous inequalities, frequently mutating viruses, sadistic pornography online, and commodification of everything. True to Atwood's principles, she finds the... |
| Intertextuality and Influence | Grace Elliott | One or two Jane Austen
readers (recently Kathryn L. Shanks Libin
) have speculated that Austen may have been perpetrating a joke by attaching the scandal of GE
's married name and birth name (Dalrymple... |
| Intertextuality and Influence | Naomi Royde-Smith | NRS
opens her story with Jane Fairfax as a little orphan growing up in the family of Colonel and Mrs Campbell, whose naughty daughter Euphrasia is a likable foil to her throughout. She ends it... |
| Intertextuality and Influence | L. E. L. | The story opens with a situation borrowed from Jane Austen
's Pride and Prejudice: a mother desperate to get five daughters safely married because the family estate is entailed away in default of a... |
| Intertextuality and Influence | A. S. Byatt | Here the first-person male narrator, a tiny dwarf-like man named Phineas Gilbert Nanson, on impulse abandons his work towards a PhD in English (Byatt skewers a gallery of predictably eccentric and pretentious academics), rejecting poststructural... |
| Intertextuality and Influence | Charlotte Yonge | If, as June Sturrock
writes, The Clever Woman of the Family is CY
's Emma, then Rachel's aspirations (which are civic-minded where those of Austen
's Emma are individual and self-serving) are far more sweepingly put down. Sturrock, June. "Heaven and Home": Charlotte M. Yonge’s Domestic Fiction and the Debate over Women. University of Victoria, 1995. 61 |
| Intertextuality and Influence | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
| Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
| Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
| Intertextuality and Influence | Anita Brookner | Again the protagonist, Kitty Maule, has a mixed national heritage: French/Russian and English. Again she is emotionally impoverished though academically successful; again she falls in love with a charismatic and unattainable man, Maurice Bishop. His... |
| Intertextuality and Influence | Catherine Gore | The title-page quotes the passage in Swift
's Gulliver's Travels where the King of Brobdingnag hears from Gulliver about English politics and marvels that human grandeur can be mimicked by such contemptible insects. qtd. in Gore, Catherine. The Hamiltons; or, Official Life in 1830. R. Bentley, 1850. title-page |
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Texts
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