Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Anita Brookner | Again the protagonist, Kitty Maule, has a mixed national heritage: French/Russian and English. Again she is emotionally impoverished though academically successful; again she falls in love with a charismatic and unattainable man, Maurice Bishop. His... |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Intertextuality and Influence | E. B. C. Jones | The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be... |
Intertextuality and Influence | G. B. Stern | GBS
opens the second Austen book with an amusing account of an interview with a seventeen-and-a-half-year-old niece who relates how she has fallen seriously in love with a dashing army officer who is her ideal... |
Intertextuality and Influence | P. D. James | PDJ
followed the English tradition of detective-story writing that has continued from the 1920s and 1930s, a genre in which many women have held dominant positions. She spoke of her adolescent reading as influenced in... |
Intertextuality and Influence | Stella Gibbons | The plot opens when the young, urban, highly civilised, bossy London heroine, Flora Poste, decides (when her parents die leaving her an unexpectedly small income) to live off her exaggeratedly rustic Sussex relations. (Flora admires... |
Intertextuality and Influence | Jane Taylor | Tomkins (whose words open the novel in very much the way that Sterne
's narrator opens A Sentimental Journey) is in search of a wife, but early rules out the heroine from consideration. She... |
Intertextuality and Influence | Cassandra Cooke | The Critical Review offered a plot-summary of Battleridge and said that the grasp of seventeenth-century manners was good, but the work is not very amusing; and, in point of composition, it is despicable. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 778 |
Intertextuality and Influence | Elizabeth Jane Howard | Before beginning this novel she asked the advice of her stepson Martin Amis
to help her choose between this and a present-day version of Austen
's Sense and Sensibility. He opted unhesitatingly for the... |
Intertextuality and Influence | Patricia Beer | This collection shows a deliberate inclination towards subjects whose strangeness startles the reader with an unexpected perspective. The title of the book is a phrase applied to the audience in Concert at Long Melford Church... |
Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
Intertextuality and Influence | Beatrix Potter | |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
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