Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sara Coleridge | Following the correspondence of SC
's mother with Thomas Poole
(Minnow among Tritons. Mrs. S.T. Coleridge
's letters to Thomas Poole, 1799-1834, British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary Robinson | According to her daughter she had developed an intense interest in an elderly, dignified male lunatic who became the subject of this poem. She then woke from sleep after consuming (on doctor's orders) an unusually... |
Textual Production | Elizabeth Bishop | |
Textual Production | Kathleen E. Innes | Kathleen E. Royds
(later Innes) published Coleridge
and his Poetry, a bio-critical analysis, in the Poetry and Life Series edited by William Henry Hudson
. Harvey, Kathryn. "Driven by War into Politics": A Feminist Biography of Kathleen Innes. University of Alberta, 1995. 206 |
Textual Production | Sara Coleridge | The fifth edition of Samuel Taylor Coleridge
's Aids to Reflection was published with an essay by SC
entitled On Rationalism. Mudge, Bradford Keyes. “Sara Coleridge: A Portrait from the Papers”. Library Chronicle of the University of Texas, Vol. 23 , 1983, pp. 15-35. 33 |
Textual Production | Una Marson | The subject-matter of her contributions was dictated and limited by her editor, Dunbar T. Wint
, who did not believe that women had any place in the political or intellectual arena. UM
nevertheless found opportunities... |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Sara Coleridge | Thirty years after its first appearance in print, SC
published a new edition of her father
's Biographia Literaria. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Harriet Martineau | The Illustrations were an immediate success and were widely read: the first number sold 5,000 copies. Lord Brougham
lamented that the Society for the Diffusion of Useful Knowledgeshould be driven out of the field... |
Textual Production | Rhoda Broughton | The title is probably quoted from Coleridge
's Ancient Mariner: not from the mariner's exotic adventures, but from a mention of the bride whose wedding his listener was trying to attend, and for which... |
Textual Production | Sara Coleridge | |
Textual Production | Anna Jane Vardill | John Abraham Heraud
published in Fraser's Magazine his Reminiscences of Coleridge; in a detailed discussion of Christobell, A Gothic Tale, he inclined to the view that it was the work of Coleridge
, not AJV
. qtd. in Haven, Richard. “Anna Vardill Niven’s ’Christobell’: An Addendum”. The Wordsworth Circle, Vol. 7 , No. 2, 1 Mar.–31 May 1976, pp. 117-18. 117 |
Textual Production | Anne Bannerman | A footnote mentioned the previous issue's text of Coleridge
's Introduction to the Tale of the Dark Ladie (not its first printing). |
Textual Production | A. S. Byatt | In Unruly Times, 1989, she considers the shared thinking of Wordsworth
and Coleridge
, and its development in the context of epoch-making public events and the intellectual climate which surrounded them. |
Textual Production | Anna Jane Vardill | William E. A. Axon
read to a meeting of the Royal Society of Literature
a paper about AJV
, offering previously unknown information about her and her poem Christobell, A Gothic Tale, and debunking... |
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