Samuel Taylor Coleridge

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Standard Name: Coleridge, Samuel Taylor

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence A. S. Byatt
She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge scholar, Kathleen Coburn , and thinking of the poet possessing his critic, and of the...
Intertextuality and Influence Anna Jane Vardill
AJV is remarkably successful in catching Coleridge 's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister...
Intertextuality and Influence Lydia Howard Sigourney
Unlike a volume by the same title which she published in 1827, this one included new poetry as well as former contributions to magazines. Her preface mentions the influence exercised over her by Coleridge ...
Intertextuality and Influence Alice Meynell
The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley , Soeur Monique of Wordsworth , An Unmarked Festival...
Intertextuality and Influence Dorothy Wordsworth
DW 's Alfoxden journal, written in close association with both William Wordsworth and Coleridge , filtered into the poetry of each. Her phrases surface in The Ancient Mariner (whose restless gossamers come from her restless...
Intertextuality and Influence F. Mabel Robinson
The title-page bears a quotation from Samuel Taylor Coleridge 's Love about a fiend with the appearance of an angel beautiful and bright.
qtd. in
Robinson, F. Mabel. The Plan of Campaign. Third edition, Methuen, 1890.
title-page
In the novel, set in Ireland, politics are a constant...
Intertextuality and Influence James Tiptree Jr.
This story, whose title evokes the magical otherworldly ambience of Samuel Taylor Coleridge 's Kubla Khan, turns on the paradoxical meaning of the concept of home. A human boy is brought up until the...
Intertextuality and Influence Emma Robinson
ER claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she...
Intertextuality and Influence James Tiptree Jr.
With epigraphs from Conrad Aiken , Coleridge , and W. H. Davies , the author was clearly casting around for a poetic style. She veers between over-ripe romantic sentiment, plaintive expression of pain and loneliness...
Intertextuality and Influence Felicia Hemans
The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth , Byron , Coleridge , Goethe , Schiller —and lesser-known contemporaries including women—Elizabeth Ogilvy Benger
Intertextuality and Influence Mary Russell Mitford
MRM was working on this poem by July 1810.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols.
1: 91
She submitted it in manuscript to Samuel Taylor Coleridge for criticism and suggestions. He suggested some cuts, most of which she happily agreed to...
Literary responses Sara Coleridge
This work was seen as an early indication of SC 's talents and promise. In the year of its publication her father said My dear daughter's translation of this book is . . . unsurpassed.
Allibone, S. Austin, editor. A Critical Dictionary of English Literature and British and American Authors Living and Deceased. Gale Research, 1965.
Literary responses Mary Russell Mitford
She submitted Blanche to Coleridge for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read...
Literary responses Anna Maria Bennett
Mary Russell Mitford read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural...
Literary responses Felicia Hemans
Wordsworth in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH as that holy Spirit / Sweet as the spring, as ocean deep.
Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin, 1932.
737
Although his...

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