Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Intertextuality and Influence | Anna Jane Vardill | AJV
is remarkably successful in catching Coleridge
's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister... |
Intertextuality and Influence | Lydia Howard Sigourney | Unlike a volume by the same title which she published in 1827, this one included new poetry as well as former contributions to magazines. Her preface mentions the influence exercised over her by Coleridge
... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Dorothy Wordsworth | DW
's Alfoxden journal, written in close association with both William Wordsworth
and Coleridge
, filtered into the poetry of each. Her phrases surface in The Ancient Mariner (whose restless gossamers come from her restless... |
Intertextuality and Influence | F. Mabel Robinson | The title-page bears a quotation from Samuel Taylor Coleridge
's Love about a fiend with the appearance of an angel beautiful and bright. qtd. in Robinson, F. Mabel. The Plan of Campaign. Third edition, Methuen, 1890. title-page |
Intertextuality and Influence | James Tiptree Jr. | This story, whose title evokes the magical otherworldly ambience of Samuel Taylor Coleridge
's Kubla Khan, turns on the paradoxical meaning of the concept of home. A human boy is brought up until the... |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | James Tiptree Jr. | With epigraphs from Conrad Aiken
, Coleridge
, and W. H. Davies
, the author was clearly casting around for a poetic style. She veers between over-ripe romantic sentiment, plaintive expression of pain and loneliness... |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Intertextuality and Influence | Mary Russell Mitford | MRM
was working on this poem by July 1810. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 1: 91 |
Literary responses | Sara Coleridge | This work was seen as an early indication of SC
's talents and promise. In the year of its publication her father
said My dear daughter's translation of this book is . . . unsurpassed. Allibone, S. Austin, editor. A Critical Dictionary of English Literature and British and American Authors Living and Deceased. Gale Research, 1965. |
Literary responses | Mary Russell Mitford | She submitted Blanche to Coleridge
for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read... |
Literary responses | Anna Maria Bennett | Mary Russell Mitford
read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural... |
Literary responses | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin, 1932. 737 |
Timeline
No timeline events available.
Texts
No bibliographical results available.