Backscheider, Paula R. Elizabeth Singer Rowe and the Development of the English Novel. Johns Hopkins University Press, 2013.
Elizabeth Singer Rowe
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Standard Name: Rowe, Elizabeth Singer
Birth Name: Elizabeth Singer
Married Name: Elizabeth Rowe
Pseudonym: Philomela
Pseudonym: The Pindarick Lady
Pseudonym: The Pindarical Lady
Pseudonym: The Author of Friendship in Death
ESR
wrote witty, topical, satirical poetry during the 1690s, followed later in life by letters, essays, fiction (often epistolary), and a wide range of poetic modes, often though not invariably with a moral or religious emphasis. Her reputation as a moral and devotional writer during her lifetime and for some time afterwards stood extremely high. Current critical debate is establishing the element of proto-feminist or amatory fiction (what Paula Backscheider
calls experimental, subversive, and transgressive) in her prose against the didactic-devotional element.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Frances Seymour Countess of Hertford | Hertford later included poems of her own composition in her letters to Rowe
and to Lord Winchilsea
, widower of the poet Anne Finch
. She exchanged verse, too, with Frederick, Prince of Wales
... |
Publishing | Elizabeth Carter | This recently-founded publication, brainchild of Edward Cave
, was the first example of the monthly periodical, the first to use the title magazine. EC
's earliest contribution, a riddle on subject of fire, was... |
Reception | Maria De Fleury | The later edition was noticed in the Analytical Review, probably by Wollstonecraft
, as using tame and prosaic language, a faint imitation of Elizabeth Singer Rowe
. Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 81-2 |
Reception | Anne Finch | Finch gave a copy of her pindaric Upon the Hurricane to Elizabeth Singer
, who responded warmly. Kennedy, Deborah. Poetic Sisters. Early Eighteenth-Century Women Poets. Bucknell University Press, 2013. 68 |
Reception | Elizabeth Bury | Among EB
's early readers was a Welshwoman of the next generation who in her turn became posthumously known as a diarist: Sarah Savage
, 1664-1752, sister of that Matthew Henry
whom both EB
and... |
Residence | Mary Scott | In 1788, after her marriage, MS
and her husband moved to Ilminster in Somerset, where they lived in the house formerly occupied by the poet and (in Anna Seward's words) dear fascinating enthusiastic saint... |
Textual Features | Elizabeth Smith | Smith's preface, which discusses theology and Klopstock's admiration for Elizabeth Singer Rowe
, clearly indicates a hope of publishing. The body of the book consists chiefly the Klopstock letters, including those addressed by him to... |
Textual Features | Susanna Haswell Rowson | The heroine, Meriel Howard (educated in a French convent, aged sixteen at the outset, correspondent of her school-friend Celia Shelburne) is not wholly free from error, yet provides a good model for a daughter, wife... |
Textual Features | Penelope Aubin | This preface was responsible for floating the persistent rumour of an affinity between the writings of PA
and those of Elizabeth Singer Rowe
. |
Textual Features | Susanna Haswell Rowson | Contents include lives of Elizabeth Singer Rowe
and of Mary Wollstonecraft
(the latter reprinted from the Monthly Visitor of London). Among the poems (some of them specifically attributed to SHR
) are one entitled... |
Textual Features | Mary Robinson | To demonstrate, as well as arguing for, mental equality, MR
learnedly surveys the course of political and literary history. She honours many women writers of the past (Aphra Behn
and Susanna Centlivre
as well... |
Textual Features | Mary Barber | To a Lady, who commanded me to send her an Account in Verse, how I succeeded in my Subscription anticipates Elizabeth Hands
in satirical sketches of potential readers who scorn her efforts because of their... |
Textual Features | Samuel Richardson | With her death Clarissa consolidates her position as Christian heroine and something close to a martyr. Her long struggle with the sin of spiritual pride (the ambition to be, as she can perceive that she... |
Textual Features | Elizabeth Ogilvy Benger | EOB
writes in terms of a women's tradition: for instance, she praises Barbauld
for praising Elizabeth Rowe
. She makes confident judgements and attributions (she is sure that Lady Pakington
is the real author of... |
Textual Features | Clara Reeve |
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Texts
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