Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114.
65
Connections Sort descending | Author name | Excerpt |
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Textual Features | Elizabeth Barrett Browning | According to its editor Julia Markus
, the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal... |
Textual Features | Joanna Baillie | The verse contents of this collection include a poem probably written thirty-six years before, Recollections of a Dear and Steady Friend, Anne Isabella nee Milbanke (generally known as Annabella)
, widow of the poet... |
Textual Features | Marguerite Gardiner Countess of Blessington | On Byron
's death she wrote an elegy in twelve couplets. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 65 |
Textual Features | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Textual Features | Mary Ann Browne | Her title poem is rich and dignified, written in Spenser
ian stanzas. The later Ocean is a poem in similar style. Many other pieces are social and sentimental, with titles like Tears, Loves... |
Textual Features | Elizabeth Cobbold | EC
employed couplets, stanzas, and blank verse to address her African, Oriental, pastoral, medieval, and contemporary subjects; the one non-exotic tale is best, but all have dash and vigour. A battle-ballad sounds Byron |
Textual Features | Mary Berry | Like most of her correspondents, Berry is somewhat wordy, given to tiptoeing round the nuances of sentiment. Her letters to Walpole, like his to her, are divided between professions of affection and the endless chronicle... |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Textual Features | Caroline Bowles | The poem, called a burlesque epic qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 81 qtd. in Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998. 89 |
Textual Features | Una Marson | |
Textual Features | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Textual Production | Felicia Skene | After five years living in Greece, FS
published her first work, a collection of poems entitled The Isles of Greece, and Other Poems as Felicia Mary Frances Skene. The title apparently alludes... |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
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