qtd. in
Athenæum. J. Lection.
1428 (1855): 290
Connections Sort descending | Author name | Excerpt |
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Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Textual Features | Harriet Downing | In the title poem a recluse offers shelter in his cave to a lady who gives birth and then dies, leaving her child to be educated only by nature. The protagonist of The Dying Maniac... |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Fanny Kemble | Of the hundred lyrics and sonnets, several cover topics of romance: My soul grows faint, my veins run liquid flame, / And my bewildered spirit seems to swim / In eddying whirls of passion, dizzily... |
Textual Features | Augusta Webster | Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted... |
Textual Features | Mary Anne Duffus Hardy | The business of these poems is to heroicize the British soldiers fighting in Crimea, in such lines as They fell, but died not—heroes cannot die. qtd. in Athenæum. J. Lection. 1428 (1855): 290 |
Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Features | Una Marson | |
Textual Features | Elizabeth Barrett Browning | In over 1,200 lines divided into numbered books, the abstract and didactic poem of the title seeks to sketch, in the language of the preface, the sublime circuit of intellect in poetry and philosophy. Browning, Elizabeth Barrett. The Complete Works of Elizabeth Barrett Browning. Editors Clarke, Helen A. and Charlotte Porter, AMS Press, 1973, 6 vols. 1: 59 |
Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Textual Features | Harriet Beecher Stowe | She also published articles in the Atlantic Monthly between 1857 and 1879. She wrote of slavery and emancipation, and of domestic topics. Her Sojourner Truth
. The Libyan Sybil appeared in April 1963, and The... |
Textual Features | Elizabeth Barrett Browning | According to its editor Julia Markus
, the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal... |
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