British Library

JCM 's very popular A Funeral Hymn (two 8-line stanzas, beginning In this World of Sin and Sorrow, ending Let thy gracious Will be done) appeared in print in an appendix added to...

She wrote to her sister Katherine Aston , and after Katherine's death continued the correspondence with warmly intimate letters to her brother-in-law Herbert Aston . Nuns were not officially allowed to maintain non-religious correspondences, but...

In her pamphlet dated 11 April 1699, AD said she was past her seventy-fifth birthday.

She left her sister Emily 's manuscript diary to the British Museum (that part of it which is now the British Library ) but her will never reached probate and the papers never reached the depository.

She was buried on 11 February in the church there, where her monument (before it was obliterated by the feet of the passing congregation) recorded her poems in various languages . . . adorned with...

LMW dedicates her second book to a friend she has known for twelve years (identified in a manuscript note in the British Library copy, shelfmark C 175 l. 4, as Lady Marchmont ).

Again Johnson supplied her with a dedication (to the future George III ; a sheet of George's notes on the plays is bound into his presentation copy, now in the British Library ). The work...

FK had a British Museum reading-room ticket at seventeen: a newspaper article on the reading room mentioned (though not by name) the charming sight she and her mother made as they studied there—apparently in contrast...

After being demobbed from her wartime position at Bletchley she had spent some time reading daily in the British Library (then the British Museum reading room) to prepare for the entrance exams to Somerville.

Her memoirist says her thirst for letters was unquenchable, and the extent of her reading proves that her early years must have been years of application. Once in London she studied for herself at...

As soon as LTM reached London she began to study daily at the British Museum .

HW enrolled as a postgraduate student at Somerville College, Oxford , in November 1920, but never finished either the thesis or the residence requirements for her D.Phil. She developed at this stage an over-riding interest...

To train herself as a historian, ES plunged enthusiastically into working in the British Museum at history itself and also the study of early handwriting (palaeography), which she would need for deciphering original sources.

She also started drawing, despite having no money for paints or canvases, and gained permission to copy at the National Gallery and the British Museum . There, she learned the techniques of oil painting and...

In her early teens, MB began earning money as a research assistant at the British Museum , a job which encouraged her interest in historical research and her hope for a career in writing. She...