Theatre Royal, Drury Lane

Connections

Connections Sort descending Author name Excerpt
Publishing Ann Yearsley
As early as March-April 1788 AY 's backers Eliza Dawson and Wilmer Gossip were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at...
Publishing Harriette Wilson
She wrote a farce which she submitted to Robert Elliston , manager of Drury Lane (and an old friend who later proposed marriage to her). But he did not accept her play. In 1829 (after...
Publishing Maria Edgeworth
This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library . Sheridan rejected it for Drury Lane
Reception Joanna Baillie
In general JB was criticised for lacking stage-craft—by Elizabeth Inchbald , for example, who must have been a good judge. It was said that her sonorously-voiced passions float unanchored; her comedies are too sweet.
Feminist Companion Archive.
Baillie...
Textual Features Mary Julia Young
MJY 's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the...
Textual Production Phebe Gibbes
A musical drama by PG was accepted for production, but then lost, by Richard Brinsley Sheridan , new manager of Drury Lane Theatre .
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Clotilde Graves
Many of CG 's sixteen plays (often but not all light comedy), have remained unpublished, though produced on stage in London and New York. The earliest of these, the blank-verse tragedy Nitocris, was...
Textual Production Marianne Chambers
The same year it played at the Theatre Royal itself, and also reached print.
Textual Production Frances Brooke
FB 's Virginia a Tragedy, with Odes, Pastorals, and Translations appeared in print. David Garrick and John Rich had rejected this tragedy for the stage.
The play had been in competition with one of the...
Textual Production Elizabeth Griffith
EG 's last comedy, The Times (a sentimental piece adapted from Goldoni ), opened at Drury Lane .
Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, 1997, p. vii - xviii.
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Textual Production Robert Browning
RB 's play A Blot in the 'Scutcheon, the fifth instalment of his Bells and Pomegranates series, opened at the Drury Lane Theatre with Helen Faucit playing Mildred.
Drabble, Margaret, editor. The Oxford Companion to English Literature. 5th ed., Oxford University Press, 1985.
Thomas, Donald. Robert Browning: A Life Within Life. Weidenfeld and Nicolson, 1982.
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Textual Production Jane Porter
JP wrote several plays. She had already refused one invitation to write for Drury Lane when in March 1816 she met and was impressed by both Edmund Kean and his wife, Mary . Mary described...
Textual Production Elizabeth Gunning
EG 's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane is about to put on her first essay...
Textual Production Eliza Fenwick
EF published, again with Tabart , The Life of Carlo, the Famous Dog of Drury-Lane Theatre.
Grundy, Isobel, and Eliza Fenwick. “Introduction and Appendices”. Secresy, 2nd ed., Broadview, 1998, pp. 7 - 34, 361.
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Textual Production Sarah Scudgell Wilkinson
SSW adapted The Travellers; or, Prince of China: An interesting story from an opera, The Travellers, with music by Domenico Corri and libretto by Andrew Cherry , which had opened at the Theatre Royal, Drury Lane

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