The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
4: 1025
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Frances Sheridan | FS
's second comedy, The Dupe (called by editor Joyce Coates Cleary
an interesting cross between a farce and a morality play), opened at Drury Lane
; but it flopped. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1025 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995. xiv |
Performance of text | Susanna Centlivre | SC
's final comedy, The Artifice, opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 688 |
Performance of text | Catherine Gore | CG
's second comedy, Lords and Commons, opened at the patent theatre of Drury Lane
, almost within five months of her first. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 5 |
Performance of text | Barbarina Brand Baroness Dacre | A five-act tragedy by Barbarina Wilmot (later Lady Dacre)
, Ina, set in Anglo-Saxon England, ran for a single night at Drury Lane Theatre
in London. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Performance of text | Sophia Lee | SL
's last work, her comedy The Assignation, was produced at Drury Lane
. It has no connection with The Assignation: A Sentimental Novel in a Series of Letters, published by Noble
in 1774. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, 2000, p. ix - lii. xlviii |
Performance of text | Aphra Behn | AB
's comedy The Luckey Chance; or, An Alderman's Bargain was licensed; it had probably already opened at Drury Lane
with the new United Company
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. |
Performance of text | Susanna Centlivre | Drury Lane
put on a farce or opening piece by SC
entitled A Bickerstaff's Burying; or, Work for the Upholders. Upholders were undertakers or funeral directors. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 217 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 133 |
Performance of text | Catherine Gore | CG
, still resident in Paris, had another play open in London: The King's Seal at Drury Lane
, featuring the French monarch Henri IV
. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, 1999, pp. 1-34. 11 |
Performance of text | Aphra Behn | AB
's comedy The Widdow Ranter; or, The History of Bacon
in Virginia, the first play to be set in British North America, had a posthumous performance at Drury Lane
which may have been... |
Performance of text | Aphra Behn | Charles Gildon
had a manuscript of this play. The success of Southerne
's adaptation of Oroonoko probably inspired him to get The Younger Brother staged; he may well have revised it first. Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press, 1997. 336-7 |
Performance of text | Mary Robinson | MR
's comic opera The Lucky Escape opened at Drury Lane
, given for her benefit at its first appearance. Pascoe differs from the London Stage and from Mann and Garnier as to the exact date. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, 2000, pp. 19-64. 59 Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 397 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 167 |
Performance of text | Marianne Chambers | MC
's five-act comedy The School for Friends opened at London's Drury Lane
. James Mason
published a comedy of the same title in the second volume of his Literary Miscellanies, 1809. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 383 |
Author summary | Barbarina Brand Baroness Dacre | BBBD
wrote as an amateur in the Romantic period. She wrote dramatic works, mostly tragedies, often adapted from texts by other authors, and poems, mostly occasional verse and often translated from poems by others. Her... |
Publishing | Mary Davys | Something occurred to make Drury Lane
reject MD
's next play, The Self-Rival, which it should have qtd. in Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, 1999, p. ix - xlix. xlviii Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, 1999, p. ix - xlix. xlviii |
Publishing | Ann Yearsley | As early as March-April 1788 AY
's backers Eliza Dawson
and Wilmer Gossip
were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at... |
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