The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
2: xlv, 4
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Joanna Baillie | Of the twenty-eight plays that JB
wrote, only seven were professionally produced. These were De Monfort,The Family Legend, Henriquez, The Separation, The Election, Constantine Paleologus, and Basil... |
Performance of text | Susanna Centlivre | SC
's first play, The Perjur'd Husband; or, The Adventures of Venice, was performed at Drury Lane
. Its precise date seems to be unknown. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: xlv, 4 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 33 |
Performance of text | Mary Pix | It had been given at Drury Lane
, probably during August, with songs set by Daniel Purcell
, Henry
's brother. Next year MP
, like Catharine Trotter
, transferred her allegiance to the new... |
Performance of text | Hannah Cowley | HC
's unpublished interlude The School of Eloquence (a satire on the currently fashionable debating clubs) was performed at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 328 |
Performance of text | Maria Theresa Kemble | MTK
performed the role of Lady Julia at Drury Lane
in her second play, Personation; or, Fairly Taken In, a farce or comic interlude. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993. 326 Feminist Companion Archive. |
Performance of text | Susanna Centlivre | SC
's Molière
adaptation Love's Contrivance; or, Le Medecin Malgre Luy opened anonymously at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 37 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 51 |
Performance of text | Hannah Cowley | HC
's tragedy The Fate of Sparta; or, The Rival Kings opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1038 |
Performance of text | Susanna Centlivre | SC
's comedy The Basset Table opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 107 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 68 |
Performance of text | Hester Lynch Piozzi | The Regent, by Bertie Greatheed
(one of the Della Cruscans
) appeared at Drury Lane
with an epilogue by HLP
. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press, 1987. 331 |
Performance of text | Harriet Lee | HL
's comedy The New Peerage; or, Our Eyes may Deceive Us opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1019 |
Performance of text | Frances Sheridan | FS
's first play, the comedy The Discovery (which had been in rehearsal the previous November), opened at Drury Lane
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 976 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995. xiv |
Performance of text | Susanna Centlivre | SC
unveiled at Drury Lane
another comedy which was to hold the stage for generations: The Wonder: A Woman Keeps a Secret. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 2: 321 Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press, 1952. 152 |
Performance of text | Catherine Cuthbertson | A play entitled Anna opened at Drury Lane
, ascribed to Miss Cuthbertson. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press, 1996. 385 |
Performance of text | Sophia Lee | SL
's tragedy Almeyda, Queen of Granada began its four-night run at Drury Lane
, after repeated delays amounting to two and a half years. Lee, Sophia. “Introduction”. The Recess, edited by April Alliston, University Press of Kentucky, 2000, p. ix - lii. xxxiii, xlvii |
Performance of text | Frances Sheridan | FS
's second comedy, The Dupe (called by editor Joyce Coates Cleary
an interesting cross between a farce and a morality play), opened at Drury Lane
; but it flopped. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 4: 1025 Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995. xiv |
No bibliographical results available.