Johann Wolfgang von Goethe

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Standard Name: Goethe, Johann Wolfgang von

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth von Arnim
Inspired by the spirited correspondence between Goethe and Bettina von Arnim , EA (as the author of Elizabeth and her German Garden) published Fräulein Schmidt and Mr. Anstruther.
Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press, 1986–2011, 6 vols.
1: 136
Usborne, Karen. "Elizabeth": The Author of Elizabeth and Her German Garden. Bodley Head, 1986.
117
Intertextuality and Influence Helen Maria Williams
This novel re-writes Rousseau 's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan 's Sidney Bidulph or Henry Mackenzie 's Julia de Roubigné.
Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon, 1993.
33
The love-triangle of Williams's Julia is...
Intertextuality and Influence Agnes Maule Machar
Roland Graeme, Knight incorporates wide-ranging allusions to figures such as Goethe , Dickens , Browning , Ruskin , Thoreau , Tennyson , Carlyle , and Handel . Critic Carole Gerson compares it to earlier nineteenth-century...
Intertextuality and Influence Helen Maria Williams
Julia is layered with allusion not only to Rousseau and Goethe but also to John Home 's tragedy Douglas.
Duquette, Natasha Aleksiuk. “Julie and Julia: Tracing Intertextuality in Helen Maria Williams’s Novel”. Pride and Prejudices, 6 July 2013.
Intertextuality and Influence Gertrude Stein
Critic Shirley Neuman sees this opera as an important step towards the final version of Ida.GS 's Faustus (unlike Marlowe 's or Goethe 's) is tormented by the fact that he cannot go...
Intertextuality and Influence Anna Brownell Jameson
The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists...
Intertextuality and Influence Edith Wharton
After an epigraph from Goethe (in German) EW begins with her earliest memory, which she identifies with the birth of identity and relates in the third person, of the little girl who eventually became me...
Intertextuality and Influence Anne Bannerman
Her model for the sonnet, as well as for the use of male erotic voices from Petrarch and Goethe , was Charlotte Smith , though AB 's tone is more unrestrained and impassioned than Smith's.
Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999.
135-6
Intertextuality and Influence Elizabeth Jolley
EJ invoked as an appropriate description of her own motivation, Flaubert 's dictum that writing comes from an inner wound.
Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol.
15
, No. 2, 1993, pp. 37-43.
40
She said of Johnson 's Rasselas and Goethe 's Elective Affinities (both of which...
Intertextuality and Influence Hannah More
More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe 's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book...
Intertextuality and Influence Anne Bannerman
The contents included odes, sonnets (including one sequence from Petrarch and another based on Goethe 's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to...
Intertextuality and Influence Sybille Bedford
The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and...
Intertextuality and Influence May Laffan
Set largely in Laffan's home town of Dublin, Hogan, M.P. captures an Ireland whose growing Catholic middle class is challenging the long empowered Protestant ascendancy. The action takes place three or four years before...
Intertextuality and Influence Germaine de Staël
Sarah Harriet Burney , like her famous sister, was troubled at GS 's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do...
Intertextuality and Influence Julia Pardoe
Indebted to the tradition of Goethe 's Faust, the story may have influenced Marie Corelli 's Sorrows of Satan (1895).

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