McEvoy, Anne, and Isobel Grundy. Conversation about Eavan Boland with Isobel Grundy. 23 Sept. 1999.
Virgil
Standard Name: Virgil
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) Boland, Eavan. Outside History. Norton, 1990. 78-9 |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. |
Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
Intertextuality and Influence | Mary Herberts | Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing... |
Intertextuality and Influence | Jane West | JW
's preface invokes Shakespeare
, Virgil
, Homer
, and Sir Walter Scott
(she later adds Thomas Percy
) as more acceptable exemplars for romance than either the French romances (implicitly those of Madeleine de Scudéry |
Intertextuality and Influence | Vita Sackville-West | The Land irresistibly recalls Virgil
's Georgics, the poem which gave its name to the genre of which it remains the best-known example; indeed, for some time VSW
intended to call her poem Georgics... |
Intertextuality and Influence | Anne Irwin | AI
praises both her father
and his estate, the baroque mansion and landscaped grounds recently completed to the designs of Sir John Vanbrugh
. Carlisle appears as a practitioner of ideal gentlemanly retirement: having... |
Intertextuality and Influence | Vita Sackville-West | Virgil
, once thought of, became the poem's tutelary deity. He supplies an epigraph. VSW
opens in the epic manner—I sing the cycle of my country's year, / I sing the tillage Sackville-West, Vita. The Land. Heinemann, 1948. 1 |
Intertextuality and Influence | Susanna Haswell Rowson | The title-page quotes Samuel Johnson
asserting that an author has nothing but his own merits to stand or fall on. The Birth of Genius, an irregular ode, offers advice to my son to love... |
Intertextuality and Influence | Hélène Cixous | HC
underlines her argument by examining myth. The mythical image of Perseus before the Medusa is invoked to describe a male fear of woman, and she calls women the dark region of men's world, saying:... |
Intertextuality and Influence | Ursula K. Le Guin | The first part of the novel relates, with a somewhat different focus, the tale told by Virgil
(in which Lavinia is a non-speaking character); the second reaches beyond that stage of the story. |
Intertextuality and Influence | Jane Collier | Perhaps JC
's most pressing concern here is with women's issues: Women live most part of their lives in the office of Nursing, either Parents Husbands or Children. Collier, Jane et al. Common Place Book. 1748–1755. 7 |
Intertextuality and Influence | Sally Purcell | SP
's masterful use of early writers and mythical belief-systems is exemplified in Seven Horizon Poems. Each of the poems snatches a separate grain of meaning, pressing into service to do so a wide... |
Intertextuality and Influence | Elizabeth B. Lester | The title-page quotes from Sir Francis Bacon
, Virgil
, and Sir Roger L'Estrange
. A preface (written in the third person as he) argues that physiognomy has something in it but deplores the... |
Intertextuality and Influence | Helen Craik | The title-page quotes Virgil
. The preface relates how while staying with a friend in the north the author discovered an ancient manuscript, much torn and defaced in a trunk in a garret. Craik, Helen. Henry of Northumberland. William Lane, 1800, 3 vols. 1: xi |
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