Samuel Richardson
-
Standard Name: Richardson, Samuel
SR
's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mehetabel Wright | Many of her poems, sent to relations, seem to have been lost in transit. Only a handful have been identified, though there may be more to come. Some which do survive are to be found... |
Textual Production | Sarah Fielding | SF
published anonymously her Remarks on Clarissa, Addressed to the Author. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xxxix |
Textual Production | Sheila Kaye-Smith | SKS
edited for the Regent Library a selection from the works of Samuel Richardson
. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Walker, Dorothea. Sheila Kaye-Smith. Twayne, 1980. 15 |
Textual Production | Anne Grant | The future AG
addressed to Harriet Reid
a letter written to the moment in the Richardsonian
style, bit by bit throughout the day. Grant, Anne. Letters from the Mountains. Longman, Hurst, Rees, and Orme, 1806, 3 vols. 1: 6-22 |
Textual Production | Mary Wollstonecraft | During the same year, 1790, Johnson
published Young Grandison. A Series of Letters from Young Persons to Their Friends, MW
's free rendering of a Richardson
-inspired juvenile conduct book by the Dutchwoman Maria Geertruida van de Werken de Cambon |
Textual Production | Anne Lister | AL
wrote in her diary a statement echoing Rousseau
: I know my own heart, and understand my fellow man. From this her editor Helena Whitbread
titled the first printed volume of the diary. The... |
Textual Production | Hester Mulso Chapone | As a member of the Richardson
circle, his informal core committee of collaborators on his second and third novels, Hester Mulso had some influence on the shaping of Clarissa, both through face-to-face conversation and... |
Textual Production | Sarah Fielding | SF
's The History of the Countess of Dellwyn was published in an edition of a thousand copies by Andrew Millar
, and printed by Samuel Richardson
. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xl |
Textual Production | Sarah Scott | The Montagu Papers at the Huntington Library
contain 367 of SS
's letters to her sister, and about twice that many from Elizabeth to her. Nicole Pohl
's edition of Scott's letters (those which survived... |
Textual Production | Hester Mulso Chapone | HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney |
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, 1930, p. vii - viii; various pages. vii |
Textual Production | Anna Maria Mackenzie | Francis, The Philanthropist is included among Chawton House Library
's Novels On-line at http://www.chawtonhouse.org/?page_id=55488. The author (not AMM
) says she intends, even though she admires Richardson
, to emulate Henry Fielding
and Smollett
... |
Textual Production | Sarah Fielding | Begun in mockery of Richardson
's Pamela, Joseph Andrews developed into a new kind of novel, the comic epic poem in prose. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, 1998, p. vii - xli. xxxviii |
Textual Production | Anna Williams | |
Textual Production | Emma Tennant | Like a Daniel Defoe
or Samuel Richardson
, she professes to be only the editor of her protagonist's own text. |
Timeline
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Texts
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