Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol.
6
, No. 3, 1999, pp. 413-24. 414
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Inchbald | Wives as They Were, and Maids as They Are, a comedy by EI
, opened at Covent Garden
. The title sounds like an allusion to such radical texts as Robert Bage
's Man... |
Textual Production | Mary Wollstonecraft | The bereaved Godwin
performed an act of both love and homage in his edition of MW
's Posthumous Works, January 1798. Here appeared the first printing of The Wrongs of Woman, or Maria... |
Textual Production | Amelia Opie | AO
was an indefatigable letter-writer. Her surviving correspondence at the Huntington Library
includes 331 letters (1794-1850). Most are written by her to her cousin Eliza (Alderson) Briggs
or her husband; a few are from her... |
Textual Production | Frances Jacson | This is another novel ascribed in earlier sources to Alethea Lewis
, and available through Chawton
Novels On-line at http://www.chawtonhouse.org/?page_id=55488. Two plot-elements, indeed, are parallelled in Lewis's life: the motherless heroine, Caroline, and the long-drawn-out... |
Textual Production | Helen Waddell | HW
provided (anonymously) the introduction to a Constable
reprint of A Narrative of the Life of Mrs. Charlotte Charke
, Daughter of Colley Cibber, one in a series they were issuing of rediscovered works... |
Textual Production | Annie Tinsley | AT
, as the author of Margaret; or, Prejudice at Home, published a novel with a female first-person protagonist, Women as They Are. By One of Them. The title of Women as They... |
Textual Production | Eliza Fenwick | As Lissa Paul has pointed out, she wrote not long after the appearance in earlier 1794 of the Second Report from the Committee of Secrecy, a progress report on government snooping into private affairs... |
Textual Production | Mary Shelley | MS
began to work seriously on this novel in late 1820. Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, 1999, pp. 413-24. 414 Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Mary Lamb | In fact Mary had written the versions of all the comedies and histories, while Charles
did the tragedies only. The suppression of her name was not (as the Feminist Companion suggests) due to an error... |
Textual Production | Henrietta Maria Bowdler | This too was written long before publication: in 1801, HMB
said in a preface dated 1819, with the aim of combating the ideas of Godwin
and other Jacobins, and the horrors of the French Revolution... |
Textual Production | Charlotte Smith | CS
wrote the Prologue for William Godwin
's unsuccessful tragedy, Antonio, published in 1800. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 288 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary Shelley | Pickering and Chatto
have included MS
in The Pickering Masters. Their eight volumes of her Novels and Selected Works, edited by Nora Crook
with Patricia Clemit
and others, 1996, includes her travel writing... |
Textual Production | Mary Shelley | MS
drafted her second, short novel, Mathilda, about a troubled father-daughter relationship, which has often been traced to her own relations with her father
. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, 1997, pp. 9-45. 44 |
Theme or Topic Treated in Text | Amelia Opie | Aiming at a reasoned critique, through Adeline and Glenmurray, of Wollstonecraft
's principles, and specifically her relationship with Godwin
, AO
seems to give higher priority to the intensification of her heroine's virtue, self-sacrifice, and... |
Theme or Topic Treated in Text | Eliza Fletcher | EF
's arrangement is chronological, with original documents printed as they occur or are relevant. Her recall is excellent, her observations and analysis acute, her character-drawing perceptive, and her style pithy. She freely and candidly... |
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