Elizabeth Barrett Browning

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Standard Name: Browning, Elizabeth Barrett
Birth Name: Elizabeth Barrett Moulton Barrett
Nickname: Ba
Pseudonym: EBB
Married Name: Elizabeth Barrett Moulton Browning
Used Form: E. B. Barrett
Used Form: Elizabeth B. Barrett
Used Form: Elizabeth Barrett Barrett
Used Form: E.B.B.
Used Form: E. B. B.
EBB was recognized in her lifetime as one of the most important poets of mid-Victorian Britain. She wrote a significant corpus of poetry which ranges from the lyric through the closet drama or dramatic lyric and the dramatic monologue to the epic, as well as letters and criticism. For much of the twentieth century, interest in her focused on her romantic life-story, her letters, and Sonnets from the Portuguese. Late in the century, critical interest in her epic female künstlerroman or verse novel Aurora Leigh and her other political poetry—in which she took up the causes of working-class children, the abolition of slavery, women's issues, and the Italian Risorgimento—revived. She is again considered one of the leading and most influential voices of her day.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Rosa Nouchette Carey
In an interview of 1893, Helen C. Black described RNC as tall, slender, and erect with large blue-grey eyes with long lashes,soft dark hair, and a low, tuneful voice.
Black, Helen C. Notable Women Authors of the Day. Maclaren, 1906.
147-8
Carey revealed in this...
Intertextuality and Influence Pauline Johnson
Particularly in its foregrounding of religion in its attack on racial inequality, this poem seems indebted to Elizabeth Barrett Browning 's The Runaway Slave at Pilgrim's Point.
Intertextuality and Influence Dinah Mulock Craik
Despite her regular invocation of conventional gender roles, DMC , like Felicia Hemans before her, considers alternative views of heroic male effort in poems such as her later The Arctic Exploration: from the Woman's Side...
Intertextuality and Influence L. S. Bevington
LSB privately printed Key Notes, her first, slim collection of verses, under the pseudonym Arbor Leigh, containing philosophical reflections on evolution.
The pseudonym is probably a nod to Elizabeth Barrett Browning 's epic...
Intertextuality and Influence Emily Faithfull
The novel brings together the fashionable upper-class society which EF had experienced in her youth, with the question of women's employment which was the burning issue of her working life. She acknowledges the work of...
Intertextuality and Influence Mary Catherine Hume
In the first section of the poem, the lord of Normiton Hall, Albert, is inspired to wed. His first choice is Maud, a woman who shares his philosophical interests. She declines however, since her faith...
Intertextuality and Influence Laura Ormiston Chant
The volume's shorter independent pieces include sonnets. The 70-page Verona, about 1,600 lines of pentameter blank verse, treats the conflict between the title character and her fiancé, Adrian, over her commitment to raising personally...
Intertextuality and Influence Jo Shapcott
Epigraphs to particular poems quote Chaucer , Swift , Elizabeth Barrett , Elizabeth Bishop , Geoffrey Bateson , and (most frequently) Elizabeth Hardwick . The title-poem (called by a reviewer Kafka esque)
Wormald, Mark. “Making a virtue of double vision”. Times Literary Supplement, No. 4497, 9–15 June 1989, pp. 241-2.
642
exemplifies...
Intertextuality and Influence Matilda Hays
That final volume features as its epigraph Elizabeth Barrett Browning 's sonnets To George Sand. A Desire and To George Sand. A Recognition.
Sand, George. The Works of George Sand. Translators Hays, Matilda et al., E. Churton, 1847, 6 vols.
6: prelims
It also contains MH 's lament that the series...
Intertextuality and Influence Christina Rossetti
The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR 's preface to this sequence...
Intertextuality and Influence Emily Gerard
This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine
Intertextuality and Influence Catharine Amy Dawson Scott
The historical Sappho had emerged by this date as a potentially lesbian or bisexual figure, for instance in the work of Swinburne ; Michael Field 's Long Ago was published this same year. Dawson's Sappho...
Intertextuality and Influence Matilda Hays
Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson , Longfellow (used...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Eleanor Farjeon
These poems of love and separation have echoes of Shakespeare and Elizabeth Barrett Browning .
British Book News. British Council.
(1959): 551
Easter Monday (In Memoriam E. T.) opens on the last letter which Thomas wrote to Farjeon from the...

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