Jane Austen
-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Mary Cholmondeley | None of these later novels achieved the success of Red Pottage. Critic Vineta Colby
writes that MC
's last novels invited the neglect they received from critics and public alike, because of their extreme... |
Literary responses | Georgette Heyer | Laski
argued that the taste for popular fiction stemmed from the fact that the serious modern novel had decided to deny itself the amenity of the shapely story satisfactorily resolved, so that compulsive novel readers... |
Literary Setting | Fanny Aikin Kortright | While Annie is employed by the Curzon family, love develops between her and Lord Claude Douglas. He wishes he could forget who he is for her sake, but cannot do it. He sullies their pastoral... |
Material Conditions of Writing | E. M. Delafield | In the year of this publication, 1935, Virginia Woolf
wrote to her niece, Angelica Bell
, I've been seeing E. M. Delafield who writes The Provincial Lady: she is called Dashwood really; Elizabeth Dashwood; and... |
Material Conditions of Writing | Ruth Prawer Jhabvala | This venture was triggered by the appearance on the market of Austen
's juvenile play Sir Charles Grandison, itself an adaptation from the novel by Samuel Richardson
. London Weekend Television
acquired an option... |
Occupation | Lady Cynthia Asquith | Meanwhile she prepared to receive evacuees from London, and volunteered for first aid work, nursing, and night shifts with the ARP (Air Raid Precaution)
. Beauman, Nicola. Cynthia Asquith. Hamish Hamilton, 1987. 311 |
Occupation | Lady Cynthia Asquith | For her three weeks' work in this capacity she earned ¥900. She did even better in spring 1957 by appearing on an ITV
quiz programme, the $64,000 Question, to answer questions on the novels... |
Occupation | Q. D. Leavis | Working again through the British Council
, Q. D.
and F. R. Leavis
lectured on Austen
, Eliot
, and Yeats
in Rome, Milan, Padua, and Bologna. Singh, G., and Q. D. Leavis. F.R. Leavis: A Literary Biography. Duckworth, 1995. 283-4 |
Occupation | Sarah Tytler | As regards the typical feminine curriculum, ST
resented the tradition of mandatory music teaching—of the piano—to young women, and the slight to other branches of education in the extravagant favour shown to one branch. Tytler, Sarah. Three Generations. J. Murray, 1911. 235-6 |
Occupation | Barbara Pym | |
Occupation | Eva Figes | EF
had a long stint as co-editor of this series, which includes works on Margaret Atwood
, Jane Austen
, Elizabeth Bowen
, Elizabeth Barrett Browning
, Frances Burney
, Willa Cather
, Colette
,... |
Occupation | Catherine Hutton | As well as collecting illustrations of costume, CH
was an early collector of autographs. (She began both these collections at a young age, but presumably had to start again from scratch after her losses in... |
Occupation | Elizabeth Jenkins | EJ
was one of the founders of the Jane Austen Society
, launched in 1940. She campaigned for the purchase (achieved in 1947) of the cottage at Chawton in Hampshire where Austen
lived for her... |
Performance of text | Stéphanie-Félicité de Genlis | Genlis' daughters gave performances of these plays to large audiences (up to five hundred people). Dow, Gillian. “Books owned by Jane Austen’s niece, Caroline, donated to Chawton House Library”. The Female Spectator, Vol. 1 n.s. , No. 4, 2015, pp. 1-3. 2 |
Performance of text | Aldous Huxley |
Timeline
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Texts
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