Mary Shelley
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Standard Name: Shelley, Mary
Birth Name: Mary Wollstonecraft Godwin
Married Name: Mary Wollstonecraft Shelley
Pseudonym: Mary S.
Pseudonym: Mrs Caroline Barnard
MS
, long known almost exclusively for Frankenstein, is now being read for her later novels and her plays, as well as for her journals and letters. Her editing, reviewing, biographical, and journalistic work entitle her to the designation woman of letters. She is an important figure among women Romantics, and a channel for the reformist ideals of the 1790s forwards into the Victorian era.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Percy Bysshe Shelley | For generations PBS
appeared the quintessential image of the Romantic poet, whose work influenced such poets as Mathilde Blind
, Amy Levy
, Alice Meynell
, Sarojini Naidu
—though for some of them he was... |
Textual Features | Sophia King | This novel about the genesis of evil is told in the first person by its wicked yet pitiable male narrator, presented as a man of strong intellect and strong feeling, whose first words are What... |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Features | Mary Elizabeth Coleridge | In another letter MEC
notes that she found the writing of Sara Coleridge
(her cousin) and Mary Shelley
intensely Englishwomanly. Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable, –Apr. 1910. 219 |
Textual Features | Maureen Duffy | MD
's protagonist here is a being created by experiment, half-man, half-gorilla, a person of two worlds, animal and human. Duffy, Maureen. That’s How It Was. Virago, 1983. x |
Textual Features | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
Textual Features | Barbara Hofland | BH
explains that she intends to vindicate the character of Richard III
(who in her view came back as Perkin Warbeck
) and expose Henry VII
as a villain. She used the British Museum
again... |
Textual Features | Elizabeth Fenton | Fenton sets out to paint a a familiar picture of the everyday occurrences, manners, and habits of life of persons undistinguished either by wealth or fame Fenton, Elizabeth. The Journal of Mrs. Fenton. Editor Lawrence, Sir Henry, Edward Arnold, 1901. 1-2 |
Textual Features | Mary Russell Mitford | MRM
's letters regularly indulge in analysis of books. She comments on works by both men and women, in English and French, and her opinions shift a good deal with age. She reacted with horror... |
Textual Production | Dorothy L. Sayers | Between 1928 and 1934, DLS
edited three volumes under the series title Great Short Stories of Detection, Mystery and Horror. Her introductions to these collections offered a scholarly history of the genre of detective... |
Textual Production | Jeanette Winterson | JW alluded to Mary Shelley
in the title of her next novel, Frankissstein, a realistic horror story touching on several contemporary interfaces between life and death, the living obdy, dead body, and functioning substitute body. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Eleanor Anne Porden | EAP
claimed that for some years my mind has dwelt with peculiar interest on the possibility of reaching the Pole. Porden, Eleanor Anne. The Arctic Expeditions. John Murray, 1818. prelims |
Textual Production | Emma Tennant | For Felony: The Private History of The Aspern Papers: A Novel, ET
used Henry James
's friendship with Constance Fenimore Woolson
, and Mary Shelley
's stepsister Claire Clairmont
as source for his novel. “Emma Tennant”. Fantastic Fiction. |
Textual Production | Muriel Spark | MS
published her first solo book, the biographical study Child of Light: A Reassessment of Mary Wollstonecraft Shelley. Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press, 1992. 7 |
Textual Production | Muriel Spark | MS
published My Best Mary: The Selected Letters of Mary Wollstonecraft Shelley, which she edited together with Derek Stanford
. The half-title wrongly lists MS
as editor of a complete edition of Shelley's The Last Man. Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press, 1992. 20 Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press, 1992. 20 |
Timeline
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Texts
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