George Gordon sixth Baron Byron

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Standard Name: Byron, George Gordon,,, sixth Baron
Used Form: Lord Byron

Connections

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Literary responses Harriet Martineau
The Athenæum compared this novel favourably to the work of Jane Austen , saying that HM outstripped her predecessor in creating characters of a higher order of mental force and spiritual attainment, and offering to...
Literary responses Sydney Owenson Lady Morgan
Croker , who again reviewed for the Quarterly, was obviously one of the race of intolerant critics
qtd. in
Quarterly Review. J. Murray.
25 (1821): 532
who, according to the Morning Chronicle, were thrown into a STATE of FURY...
Literary responses Frances Browne
In the Dictionary of Literary BiographyMarya DeVoto noted the interest in The Star of Attéghéi (and other poems in the volume) in the idea of exile, and the elegaic tone that pervades the volume...
Literary responses Charlotte Dacre
Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning...
Literary responses Felicia Hemans
Appreciation of FH was slowly growing. Following on the positive responses from Scott and Byron , in October 1820John Taylor Coleridge in the influential Quarterly Review (published by John Murray , her own publisher)...
Literary responses Harriet Lee
Byron praised the Canterbury Tales, but in 1913George Saintsbury asserted that Byron had done so either irresponsibly or impishly. They were, he said, not exactly bad, but also as far as possible from...
Literary responses L. E. L.
Owing in large part to an article in The Wasp on 7 October 1826, reception of LEL's work was adversely affected in some quarters by rumours that her relationship with William Jerdan was sexual and...
Literary responses Felicia Hemans
Norma Clarke sees in this late work some of FH 's strongest poetry and a resolution of the conflicts and inhibitions of her earlier work: Deeply religious, personal, and direct, they reaffirm the centrality of...
Literary responses Ella Wheeler Wilcox
The Athenæum carried a signed review for this book by Virginia Woolf , who went straight to the heart of the matter. It would be easy to make fun of her; equally easy to condescend...
Literary responses Martha Fowke
Critic Jerome McGann enjoys this poem's lovely antitheses, playful surprises, and delicate eroticism,as well as its subtle and significant revision of the critical ideas of Alexander Pope .
McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Clarendon, 1996.
44
This combination, he...
Literary responses Florence Dixie
This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be...
Literary responses Augusta Webster
This first poetic attempt was well received.
Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research, 2001.
240: 333
H. F. Chorley in the Athenæum thought the poems too closely resembled works by Byron and Wordsworth , but allowed that there were some verses which...
Literary responses Mary Agnes Hamilton
The Times Literary Supplement perceptively noted that this story might have been written in refutation of Byron 's dictum: Man's love is a thing apart while it is a woman's whole existence.
The Oxford Dictionary of Quotations. 2nd, with revisions, Oxford University Press, 1956.
Carew, Dudley. “Folly’s Handbook”. Times Literary Supplement, No. 1331, 4 Aug. 1927, p. 532.
532
Literary responses Caroline Norton
The Athenæum pronounced in fairly sympathetic tones that this volume bore a pathetic and direct reference upon the position and fortunes of its writer, alluding to the bereavements enforced by inexorable laws that denied Norton...
Literary responses Lydia Howard Sigourney
Edgar Allan Poe , reviewing this book for the Southern Literary Messenger, thought that LHS did too much borrowing: from Hannah More , William Cowper , William Wordsworth , and Byron . Critic Emily Stipes Watts

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