Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16.
12
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Harriet Lee | This tale reached its fifth edition independently of the other Tales in 1823, when it appeared as a kind of trailer to John Murray
's projected edition of the whole series. Byron
recognised Kruitzner as... |
Intertextuality and Influence | Felicia Hemans | The volume cost nine shillings and sixpence, and when the edition of 1,000 sold out, FH
's share of the profits split with John Murray
was £66. According to recent editors of the text, the... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Intertextuality and Influence | Sarah Wentworth Morton | The title-page quotes romantic, melancholy lines from Byron
's Childe Harold. Bottorff, William K., and Sarah Wentworth Morton. “Introduction”. My Mind and its Thoughts, Scholars’ Facsimiles and Reprints, 1975, pp. 5-16. 12 |
Intertextuality and Influence | Isabella Beeton | Notwithstanding the putative focus on management, the bulk of the 44-chapter book is taken up with discussion of food, from the chapters on Arrangement and Economy of the Kitchen and Introduction to Cookery to the... |
Intertextuality and Influence | Anita Desai | Influenced by Eliot
's Four Quartets, Clear Light of Day deals with time as destroyer and preserver, and with what the bondage of time does to people. qtd. in Gopal, N. Raj. A Critical Study of the Novels of Anita Desai. Atlantic Publishers and Distributors, 1995. 90 |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Intertextuality and Influence | George Paston | Though this novel shares some terrain with Gissing
's New Grub Street, critic Margaret Stetz
finds that the two have little in common, since they take aim at very different aspects of the contemporary... |
Literary responses | L. E. L. | Owing in large part to an article in The Wasp on 7 October 1826, reception of LEL's work was adversely affected in some quarters by rumours that her relationship with William Jerdan
was sexual and... |
Literary responses | Felicia Hemans | Norma Clarke
sees in this late work some of FH
's strongest poetry and a resolution of the conflicts and inhibitions of her earlier work: Deeply religious, personal, and direct, they reaffirm the centrality of... |
Literary responses | Ella Wheeler Wilcox | The Athenæum carried a signed review for this book by Virginia Woolf
, who went straight to the heart of the matter. It would be easy to make fun of her; equally easy to condescend... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Literary responses | Martha Fowke | Critic Jerome McGann
enjoys this poem's lovely antitheses, playful surprises, and delicate eroticism,as well as its subtle and significant revision of the critical ideas of Alexander Pope
. McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Clarendon, 1996. 44 |
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