Chawton House Library Catalogue. http://www.chawton.org/library/index.html.
Chawton House Library
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Mary Leadbeater | It had a preface and notes by Maria Edgeworth
, who did not know ML
very well personally but was impressed by the book. The Chawton House Library
copy is one presented by Edgeworth to... |
Textual Production | Frances Burney | In April 1780 the author's cousin Edward Francisco Burney
illustrated Evelina in three stained drawings. The one for volume two shows the heroine in her mood of depression after returning home from her visit... |
Textual Production | A. Woodfin | |
Textual Production | Mary Martha Sherwood | |
Textual Production | Sarah Butler | Since some scholars believe that SB
was not a woman but a pseudonym, other names have been put forward for authorship. They include Charles Gildon
(who supplied the dedicatory epistle), or the Jacobite translator and... |
Textual Production | Mary Martha Sherwood | Chawton House Library
has acquired two unpublished stories by MMS
. One, of 128 pages, untitled but beginning There is a beautiful valley, is dated to 1828. It comprises about 20,000 words, of which only... |
Textual Production | Maria Callcott | Some of MC
's manuscripts (owned by Rosamund Brunel Gotch
in 1937) are now in the Bodleian Library
. A collection of her sketches (including many of the drawings which accompanied her journal of her... |
Textual Production | Sarah Waters | SW
wrote her foreword to Dancing with Mr Darcy. Stories Inspired by Jane Austen
and Chawton House Library, selected in a competition which she had also judged, and published this year. Waters, Sarah. “Foreword”. Dancing with Mr Darcy, Honno, 2009, pp. 1-4. 4 |
Textual Production | Mary Martha Sherwood | As well as the privately-owned commonplace-book and the letters and stories at Chawton House Library
, a large collection of MMS
's papers (diaries, letters, pictures, and a manuscript of hers entitled My Pedigree)... |
Textual Production | Margaret Cavendish | The frontispiece depicts her standing in a classically architectural niche flanked by figures of Athena and Apollo. Lines of poetry below advise the onlooker not to concentrate on her beauty but View her Soul's Picture... |
Textual Production | Ann Wall | The Chawton House
copy has a note on the title-page: Sold at No. 4 Carpenters Buildings[,] London Wall |
Textual Production | Mary Shelley | MS
began to work seriously on this novel in late 1820. Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, 1999, pp. 413-24. 414 Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Mary Charlton | This novel was advertised as soon to be published in July (at which date the title was to be Laure; or, The Parisian), and as recently published on 30 October. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1 |
Textual Production | Mary Robinson | Violet Fane
's inscribed copy is now at Chawton House Library
. |
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