Critical Review. W. Simpkin and R. Marshall, 5 series.
53 (1782): 199
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Amelia Opie | Agatha Torrington responds bravely to the suspicion that her marriage may have been bigamous. She takes her daughter away with her; the daughter, Emma Castlemain, follows in her footsteps by enduring her husband's unfaithfulness with... |
Intertextuality and Influence | Henrietta Maria Bowdler | Although HMB
was provoked to write by William Hayley
's unpleasant Philosophical, Historical and Moral Essay on Old Maids, 1785, she gives a mixed message. This begins with an epigraph drawn from Elizabeth Hamilton |
Intertextuality and Influence | Hannah More | HM
's Sensibility (a poem addressed to Frances Boscawen
) appeared in print together with her Sacred Dramas, by March 1782. Critical Review. W. Simpkin and R. Marshall, 5 series. 53 (1782): 199 Guest, Harriet. Small Change: Women, Learning, Patriotism, 1750-1810. University of Chicago Press, 2000. 188 |
Leisure and Society | Anna Seward | AS
was several times painted by George Romney
. One portrait, in fashionable garb, belonged to her father. Another was treasured by William Hayley
, then vanished from sight. A century later it was found... |
Literary responses | Anna Seward | The Critical thought this even better than AS
's Elegy on Captain Cook: one of the most pleasing little poems which we ever perused. It doubted the wisdom, however, of printing the letters. Critical Review. W. Simpkin and R. Marshall, 5 series. 51 (1781): 230-2 |
Material Conditions of Writing | Charlotte Smith | She wrote The Old Manor House while staying with a congenial group of friends (including Cowper
, William Hayley
, and George Romney
). The latter reported, in awed tones, that she would write a... |
Publishing | Anna Seward | |
Publishing | Helen Maria Williams | The Poems were in two volumes, with HMW
's name in full, published by Rivington and Marshall
, with an engraved frontispiece drawn by Maria Cosway
. Subscribers included the Prince of Wales
(whose name... |
Publishing | Mariana Starke | MS
was writing poetry while still in her teens, and sending her poems for comment to William Hayley
. The social flutter caused in her neighbourhood by a visit from a published woman writer made... |
Publishing | Charlotte Brooke | Her father had cherished a never-executed project for a history of ancient Irish literature. Ashley, Leonard R. N. et al. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, 1970, p. v - xv. vi |
Textual Features | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Textual Features | Germaine Greer | The introduction begins, It is not quite forty years since eliminating menopause was first mooted. Greer, Germaine. The Change. Penguin, 1992. 1 Greer, Germaine. The Change. Penguin, 1992. 2 |
Textual Features | Anna Miller | Apart from Anna Seward
, the volumes contain only a handful of women's names, but nearly half the contributions are given anonymously. The male poets honoured include Richard Graves
and William Hayley
. |
Textual Production | Charlotte Brooke | She began her project as a money-earning one, but was later able to declare that the proceeds would go to charity. A further motive was patriotic and nationalistic: to counter the English (even, sometimes, the... |
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