Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Mary Tighe | When Thomas Moore
read Psyche he expressed his pleasure to MT
in a short lyric which calls her by the name of her protagonist, Psyche; at her death he eulogised her by the same... |
Literary responses | Katharine Tynan | Colm O Lochlainn
in Anglo-Irish Song-writers since Moore, 1950, praised KT
's words as the sweetest in English to the Derry Air (a melody also known as the Londonderry Air, or, from other... |
politics | Margaret Fell | This approach to the newly-restored monarch was a vital tactical move for the Quakers, who had been persecuted in the last years of the Interregnum. George Fox
was still in prison; MF
went to London... |
Publishing | Marguerite Gardiner Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Blessington, Marguerite Gardiner, Countess of. “Introduction”. Conversations of Lord Byron, edited by Ernest J., Jr Lovell, Princeton University Press, 1969, pp. 3-114. 7 |
Publishing | Sydney Owenson Lady Morgan | Following her well-publicised battles first with Colburn
and then with Saunders and Otley
, Morgan got Thomas Moore
to sound out John Murray
about taking her on. She had a plan to follow her Life... |
Textual Features | Caroline Norton | The Rebel, spoken by an imprisoned Irish harper who weep[s,] to think upon my country's chain, suggests both a sympathy with the cause of Ireland and the influence of CN
's friend Thomas Moore |
Textual Features | Barbarina Brand Baroness Dacre | An epilogue by Thomas Moore
sounds flippantly critical of Bluestockings (not the historical group of this name, but in the more general sense of intellectual women). A speaker appears wondering much what little knavish sprite... |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Textual Production | Mary Tighe | Henry Moore copied poems into a manuscript album which he titled Poems HM 1811 (now at Chawton House Library
). The first 66 pages are occupied by MT
's work, at the end of which... |
Textual Production | Henrietta Battier | This addresses, says its title, the Illustrious Stephen III, King of Dalkey, Emperor of the Mugglins, Grand Master of the Noble, Illustrious and Ancient Orders of the Lobster, Crab, Scollop . . . . Battier, Henrietta. An Address on the Projected Union. Printed for the author, 1799. title-page |
Textual Production | Henrietta Battier | Not all HB
's satires and lampoons reached print. Thomas Moore
, who records that she published for the sake of much-needed cash, also mentions some impromptu lines on his own performance in a university... |
Textual Production | Mary Shelley | MS
engaged in June 1827 to help Thomas Moore
as a silent but major contributor qtd. in Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, 1997, pp. 9-45. 16 Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, 1997, pp. 9-45. 44-5 |
Textual Production | Mary Shelley | She also reviewed works by Caroline Norton
, Thomas Moore
, and James Fenimore Cooper
. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, 1997, pp. 9-45. 13 |
Textual Production | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Textual Production | Eleanor Farjeon |
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