Muir, Edwin. An Autobiography. Hogarth Press, 1964.
279
Connections Sort descending | Author name | Excerpt |
---|---|---|
Residence | Willa Muir | Willa
and Edwin Muir
left Prague after about three years, shortly before the Communist Party
, which had overthrown the elected government, closed Czechoslovakia's borders to foreigners or foreign travel. The Communist Party controlled Czechoslovakia... |
Residence | Willa Muir | After a year in Italy, Willa
and Edwin Muir
returned to Scotland, this time to Dalkeith, near Edinburgh where Edwin became warden of Newbattle Abbey College
. Muir, Edwin. An Autobiography. Hogarth Press, 1964. 279 |
Residence | Willa Muir | After their year in the United States, Willa
and Edwin Muir
returned to England and settled at Priory Cottage, Swaffham Prior, near Cambridge. Muir, Willa. Belonging. Hogarth Press, 1968. 306 |
Residence | Willa Muir | Willa
and Edwin Muir
, neither of whom had ever left the British Isles before, moved to Prague. Muir, Willa. Belonging. Hogarth Press, 1968. 56 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Residence | Willa Muir | Willa
and Edwin Muir
settled in a small cottage at Penn in Buckinghamshire, without eletricity, gas, or a sewage system; they did not stay long. Muir, Willa. Belonging. Hogarth Press, 1968. 109, 118 |
Textual Features | Elizabeth Jennings | Every Changing Shape was reprinted in 1996 by Carcanet Press
with a foreword by Michael Schmidt
. It collects essays on Christian writers and mystics that address the way that faith informs the creative imagination... |
Textual Features | Willa Muir | Though this is technically autobiography, she perhaps tells more about her husband than herself; Aileen Christianson
, in her entry on WM
in the Oxford Dictionary of National Biography, calls it more rightly a... |
Textual Production | Willa Muir | |
Textual Production | Willa Muir | Six years after Edwin Muir
's death, WM
(as well as editing his Collected Poems) issued Living with Ballads, a study of the oral poetic tradition in Scotland, which he had planned but had left unfinished. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Muir, Willa. Belonging. Hogarth Press, 1968. 312 Elphinstone, Margaret. “Willa Muir: Crossing the Genres”. A History of Scottish Women’s Writing, edited by Douglas Gifford and Dorothy McMillan, Edinburgh University Press, 1997, pp. 400-15. 400 |
Textual Production | Willa Muir | The question of the extent to which the couple collaborated in general is central to scholarship on WM
, whose writing and translating career has been overshadowed by her husband
's literary legacy. Translations she... |
Textual Production | Willa Muir | Standard reference sources list Edwin Muir
as co-translator of this work. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 81, under Franz Kafka “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Elizabeth Jennings | Among her many reviews for various journals, EJ
's notice of Willa Muir
's Belonging: A Memoir (for the Times on 13 January 1968) calls it a really important book, but makes no bones about... |
Textual Production | Willa Muir | WM
and Edwin Muir finished their translation of the Selected Short Stories of Franz Kafka in 1952. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | E. B. C. Jones | EBCJ
dedicated her final novel, Morning and Cloud, to Phyllis Hamerton
, with quotations from Edwin Muir
and William Blake
. Dated by the Bodleian Library
acquisition stamp. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Willa Muir | WM
had a Shetlander's particular interest in the Auvergnat language: a local dialect of Occitan (which itself proved to be the historically non-dominant form of French). The owners and operators of the Samson Press were... |
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