Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Agatha Christie | AC
borrowed a title from Tennyson
for The Mirror Crack'd from Side to Side (in which a film is being shot at St Mary Mead, where Miss Marple lives), the first of her three Marple... |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Mary Linskill | She took her title from a line in Tennyson
's Break, break, break, a poem which powerfully conveys a sense of desolation and despair. She dedicated her novel to Mrs Lupton
, her former... |
Textual Production | Charlotte Barnard | These two songs are the only works by CB
published under her real name: some time after this, she adopted the pseudonym Claribel. She may have taken this pseudonym from Alfred Tennyson
's poem... |
Textual Production | Elizabeth Barrett Browning | There followed, also in the Athenæum, a review of Wordsworth
's poems in August 1842. As well as these, EBB
provided both critical contributions on Carlyle
and Tennyson
, and material gleaned from her... |
Textual Production | Monica Dickens | This was ironical, since her aim had been to produce something new and different. Dickens, Monica. An Open Book. Heinemann, 1978. 67 |
Textual Production | Samuel Beckett | SB
's first-drafted novel, Dream of Fair to Middling Women, remained unpublished until after his death. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Elizabeth Bishop | |
Textual Production | Jane Francesca Lady Wilde | Francesca Elgee set the tone for her correspondence with John Hilson
in her earliest surviving letter, writing your Gods are my Gods about her favourite modern living poets, Tennyson
and Elizabeth Barrett
, who... |
Textual Production | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Textual Production | Elizabeth Jenkins | EJ
gave a lecture at Lincoln at the annual dinner of the Tennyson Society
, which was published, leaflet style, as Tennyson
and Dr. Gully. Jenkins, Elizabeth. Tennyson and Dr. Gully. Tennyson Society, Tennyson Research Centre, 1974. 20 |
Textual Production | Anna Swanwick | She dedicated it to James Martineau
in honour of their friendship of sixty years. Swanwick, Anna. Poets the Interpreters of their Age. George Bell, 1892. prelims |
Textual Production | Adelaide Procter | Here AP
's wide literary connections paid off handsomely. Contributors to The Victoria Regia included some of the most prominent names in literature of the day, mingled with less prominent writers who were also feminists:... |
Textual Production | L. T. Meade | LTM
published A Sweet Girl-Graduate, whose title (originally from Tennyson
's The Princess) has been much used by other writers). The words of the title have featured in a sentimental poem by Helen Steiner Rice |
Textual Production | Anne Ogle | In the new foreword, Ogle explains that she wrote the book in the despair of youth. qtd. in Handley, Graham. “George Eliot and A Lost LoveThe George Eliot Fellowship Review, Vol. 14 , 1983, pp. 32-7. 33 |
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