Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Patricia Wentworth | Though the Feminist Companion says that Miss Silver is a character [i]n the mould of Agatha Christie
's Miss Marple, she actually predates Miss Marple by two years. She is a former governess who now... |
Intertextuality and Influence | Anne Marsh | Edmund, narrator of this novel, is another old man: cautious, hierarchically minded, yet remembering his past as a young radical. He fell in love with Clarice de Vere —whose name recalls Tennyson
's Lady Clara... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Patricia Wentworth | This classic story opens with Rachel Treherne, unmarried and in her thirties, coming in a state of acute anxiety to consult Miss Silver at the latter's home, which is also her office. Rachel's colouring should... |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Marjorie Bowen | MB
recalls being influenced at an early age by her enjoyment of Tennyson
's Idylls of the King, Wilde
's Picture of Dorian Gray, the novels of Sir Walter Scott
, and Richardson |
Intertextuality and Influence | Felicia Hemans | Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong
in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L. |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press, 1954. 5 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin, 1932. 737 |
Intertextuality and Influence | Laura Ormiston Chant | Verona's title poem embeds a number of lyrics within its novelistic structure. Tennyson
's influence is particularly apparent in Serenada, which opens: Now folds the cistus, now / The lemon-blossom sleeps Chant, Laura Ormiston. Verona and Other Poems. David Stott, 1887. 50 |
Intertextuality and Influence | Elizabeth Strutt | Women, says ES
, must be essentially equal with men since both are made in God's image. But women's existing social position Strutt, Elizabeth. The Feminine Soul. J. S. Hodson, 1857. 1 |
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