in the eyes of some, the heroine here defies such a one-sided image. Leonard Woolf
found Mary Jocelyn very reserved...
Textual Features
Virginia Woolf
Hermione Lee
reads the story as an imagined meeting between the Stephen sisters of Bloomsbury and their alternative selves (as they would have been if their lives had remained in the track mapped out for...
Textual Production
Penelope Fitzgerald
Her biographer Hermione Lee
has said: she was writing away like mad in her teens and early twenties. Then this powerful stream disappeared underground, until up it comes, this underground river, at the age of...
Textual Production
Virginia Woolf
Hermione Lee
points out that in this year—a typical one, though broken by illness—Woolf's productivity included making final pre-publication revisions to a novel and an essay collection, beginning work on another novel, writing eight...
Textual Production
Virginia Woolf
Later reprints often appeared as The Common Reader, First Series. VW
took her title from a formulation of Samuel Johnson
's, meaning that non-specialist, non-academic reader to whose taste, said Johnson, he was always...
Textual Production
Julia Strachey
JS
wrote the novel while staying with her aunt Dorothy Bussy
's family at Roquebrune in France, informally separated from her first husband, Stephen Tomlin
.
Strachey, Julia, and Frances Partridge. Julia: A Portrait of Julia Strachey. Little, Brown, 1983.
113, 116
After finishing her manuscript, she sent...
Textual Production
Willa Cather
WC
was a tireless letter-writer, and also kept a diary. She did not want her letters to be published, allegedly because she thought them too spontaneous and unpolished.
Byatt, A. S., and Willa Cather. “Introduction”. A Lost Lady, Virago, 2000, p. v - xiv.
vii
Hermione Lee
refers to reading, at...
Violence
Virginia Woolf
VW
did not discuss this incident specifically until the last years of her life. Hermione Lee
, who considers the matter as fully as possible, argues that it would be rash to ignore or belittle...