Samuel Richardson
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Standard Name: Richardson, Samuel
SR
's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Connections
Connections Sort descending | Author name | Excerpt |
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Literary responses | Mary Chandler | Her poem played its part in the establishment of Bath as a resort which was respected and fashionable, on both medical and cultural grounds. When James Leake
published a revised edition of A Tour of... |
Literary responses | Charlotte McCarthy | Jerry C. Beasley
is fairly scathing about this book in his survey of the decade's fiction. Framing Samuel Richardson
's Pamela as the literary prototype, Beasley describes CMC
's novel as a comparatively plodding tale... |
Literary responses | Frances Brooke | Highly positive reviews included one from Voltaire
in France suggesting that this was the finest epistolary novel to appear in English during the decade or so since the last work of Richardson
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Charlotte Lennox | The Monthly Review called the first two volumes very judicious and truly critical. Griffiths, Ralph, 1720 - 1803, and George Edward Griffiths, editors. Monthly Review. R. Griffiths. 9: 145 Isles, Duncan. “The Lennox Collection (Concluded)”. Harvard Library Bulletin, Vol. 19 , No. 4, Oct. 1971, pp. 416-35. 422 |
Literary responses | Françoise de Graffigny | The novel's combination of originality and popularity at once provoked debate. Like Samuel Richardson
(who began publishing Clarissa in the year of Lettres d'une Péruvienne), FGreceived numerous letters from readers who begged her... |
Literary responses | Elizabeth Meeke | Literary historian Edward Copeland
points out that the hero and the Wheelers are opposites in their relation to money, and also that Mrs Wheeler's death (in hospital of injuries received from falling downstairs while drunk)... |
Literary responses | Frances Brooke | She thought it had been too long, with too little plot, and that the subscription method had not been to its benefit. Critic Juliet McMaster
believes that Jane Austen
had Emily Montague in mind in... |
Literary responses | Margaret Minifie | The Critical belatedly noted: She is now no longer in partnership, but sets up for herself. Critical Review. W. Simpkin and R. Marshall, 5 series. 50 (1780): 168 |
Literary responses | Susan Smythies | |
Literary responses | Sarah Scott | Samuel Richardson
(given an advance copy by the publisher) reported the verdict of his wife
and daughters, and the writer Jane Collier
(a friend particularly of his daughter Anne
), that the book was lacking... |
Literary responses | Eliza Haywood | In the Monthly Review, Ralph Griffiths
passed a judgement which was inflected against Betsy Thoughtless by issues of gender. He guessed that the author was female because of the novel's attention to matters of... |
Literary responses | Lady Charlotte Bury | Edward Copeland
argues that this text, though designed to ride the wave of the new silver-fork novel, draws its influences from an earlier generation: Frances Burney
, Susan Ferrier
, and Richardson
's Sir Charles... |
Literary Setting | Emma Tennant | Her heroine, based on herself aged fifteen onwards, is a red-haired debutante from Scotland, progressing from a seedy finishing school to being launched on the London season, an environment full of seducers and conmen where... |
Material Conditions of Writing | Ruth Prawer Jhabvala | This venture was triggered by the appearance on the market of Austen
's juvenile play Sir Charles Grandison, itself an adaptation from the novel by Samuel Richardson
. London Weekend Television
acquired an option... |
names | Hester Mulso Chapone |
|
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