Juliet McMaster

Standard Name: McMaster, Juliet

Connections

Connections Author name Excerpt
Intertextuality and Influence Frances Brooke
She thought it had been too long, with too little plot, and that the subscription method had not been to its benefit. Critic Juliet McMaster believes that Jane Austen had Emily Montague in mind in...
Literary responses Daisy Ashford
Though many readers and reviewers adored The Young Visiters, some questioned its authenticity and wondered whether it was truly written by a child.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Sadler, David. “Innocent Hearts: The Child Authors of the 1920s”. Children’s Literature Association Quarterly, Vol.
17
, No. 4, 1992, pp. 24-30.
24
Juliet McMaster wrote in 2005, about the thinking that questioned...
Publishing George Eliot
A notebook surviving from GE 's schooldays contains (besides such items as poems copied from annuals) an essay on Affectation and Conceit, which sketches the character of a vain woman in a tone of...
Reception Charlotte Brontë
A number of CB 's other works were also first published after her death, including a 1997 edition of the Angria juvenilia, edited by Juliet McMaster and Leslie Robertson .
Brontë, Charlotte, and Shannon Goetze. My Angria and the Angrians. Editors McMaster, Juliet and Leslie Robertson, Juvenilia Press, 1997.

Timeline

No timeline events available.

Texts

Porter, Anna Maria, and Shannon Goetze. Artless Tales. Editors Robertson, Leslie et al., Juvenilia Press, 2003.
Le Faye, Deirdre. “Chronology of Jane Austen’s Life”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997, pp. 1-11.
McMaster, Juliet. “Class”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997, pp. 115-30.
McMaster, Juliet. Email about Adam Clarke and Dorothea Primrose Campbell to Isobel Grundy.
McMaster, Juliet, and Margaret Atwood. “Foreword”. A Quiet Game, and Other Early Works, edited by Kathy Chung et al., Juvenilia Press, 1997, p. vi.
Goetze, Shannon et al. “Introduction”. Artless Tales, edited by Leslie Robertson et al., Juvenilia Press, 2003, p. ii - viii.
Grundy, Isobel. “Jane Austen and literary traditions”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997, pp. 189-10.
Brontë, Charlotte, and Shannon Goetze. My Angria and the Angrians. Editors McMaster, Juliet and Leslie Robertson, Juvenilia Press, 1997.
McMaster, Juliet. “Reading Body Language: A Game of Skill”. Persuasions, Vol.
23
, 2001, pp. 90-104.
McMaster, Juliet. That Mighty Art of Black-and-White. Linley Sambourne, Punch, and the Royal Academy. Ad Hoc Press, 2009.
Fergus, Jan. “The Professional Woman Writer”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997.
McMaster, Juliet. “What Daisy knew: the epistemology of the child writer”. The Child Writer from Austen to Woolf, Cambridge University Press, 2005, pp. 51-69.
McMaster, Juliet. “Young Jane Austen and the First Canadian Novel: From Emily Montague to Amelia Webster and Love and FreindshipEighteenth-Century Fiction, Vol.
11
, No. 3, 1999, pp. 339-46.