Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sophie Veitch | With Duncan Moray, Farmer (a three-volume novel published both at London and at Paisley in Scotland in early 1890), OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The early date comes from the Bodleian Library
acquisition stamp. |
Textual Production | Joanna Baillie | JB
had agreed to write for anthologist George Thomson
(the successor to Burns
in this work) about twenty original or adapted poems to go to Scottish, Irish, or Welsh tunes. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, 1999, pp. 1-25. 8-9 and n31 |
Textual Production | Jackie Kay | |
Textual Production | Joanna Baillie | She thus made part of the Scottish ballad revival forwarded by individuals of several generations including Allan Ramsay
, Elizabeth, Lady Wardlaw
, Jean Elliott
, Alison Cockburn
, her aunt Anne Hunter
, Burns |
Textual Production | Helen Craik | HC
, in her late thirties, penned her first work which is known to survive: a poem written in Robert Burns
's copy of his Poems published at Edinburgh. Craciun, Adriana, and Kari E. Lokke, editors. “The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793-1800”. Rebellious Hearts: British Women Writers and the French Revolution, State University of New York Press, 2001, pp. 193-32. 229n56 |
Textual Production | Jackie Kay | JK
was one of twenty Scottish authors invited to contribute a monologue to a collaborative work entitled Dear Scotland, which was first performed by the Scottish National Theatre
on 24 April 2014 as a... |
Textual Production | Helen Craik | HC
wrote a ten-line poem in praise of Burns
, which is copied at the head of his Glenriddell Manuscript (below the title, before his dated preface). Burns, Robert. The Glenriddell Manuscripts of Robert Burns. Editor Donaldson, Desmond, E. P. Publishing, 1973. prelims |
Textual Production | Lesley Storm | LS
returned to her Scottish roots in her historical-biographical play Three Goose Quills and a Knife, a piece that dramatises the adult life of Robert Burns
from his twenties to his death at the... |
Textual Production | Helen Mathers | The book took its title from the popular Robert Burns
song Comin' Thro' the Rye. It was founded on the experience of her own early life, and that of her numerous brothers and sisters... |
Textual Production | Joanna Baillie | She agreed to do this without payment, though Thomson gave her an Indian shawl when adding to his first request six years later. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, 1999, pp. 1-25. 9, 11 |
Textual Production | Eleanor Farjeon | |
Textual Production | Mary Lamb | In her earliest extant letter, to Sarah Stoddart
, Mary Lamb
remarked (quite unfairly to herself): I am always a miserable letter writer, and I feel the want, in writing to a new friend of... |
Theme or Topic Treated in Text | Bessie Rayner Parkes | This volume, like those BRP
had already published, also covers a range of topics including the natural world, religious questions, Robert Burns
, and places like Italy and Algiers. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research, 2001. 240: 188-9 |
Theme or Topic Treated in Text | Isa Craig | As befits an entry in a contest of this kind, the poem rings with a celebratory and worshipful tone. It portrays Burns
as a peasant-king and poet-martyr whose verse speaks across borders to the entire... |
Theme or Topic Treated in Text | Felicia Hemans | The volume declared itself as juvenilia by noting at the outset that the poems had been composed between the ages of eight and thirteen, and appending to some of them the ages at which they... |
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