qtd. in
Caws, Mary Ann, and Sarah Bird Wright. Bloomsbury and France: Art and Friends. Oxford University Press, 2000.
344
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Frances Bellerby | During the 1950s her poems were often read on a BBC Western Region
programme, where they were first introduced by Charles Causley
. John Lehmann
read one of FB
's poems on the Third Programme... |
Reception | Edith Sitwell | Façade is often played (at least in the form of excerpts) on the radio in several countries. The online Poetry Archive, however, features Still Falls the Rain in a recording masterminded in 1946 by... |
Reception | Dorothy Bussy | DB
first wrote Olivia in 1933 and then sent the manuscript to her friend André Gide
. Gide found it not very engaging qtd. in Caws, Mary Ann, and Sarah Bird Wright. Bloomsbury and France: Art and Friends. Oxford University Press, 2000. 344 |
Reception | Vita Sackville-West | Leonard Woolf
(without Virginia to consult with, but with the full support of John Lehmann
) turned down Grand Canyon. So did Heinemann
, for the same reasons: the potential blow to British morale... |
Textual Production | Edith Sitwell | John Lehmann
and Derek Parker
had published an earlier collection with the same title in 1970, but it was less valuable than it could have been because Edith's surviving brother, Sacheverell, decreed that all family... |
Textual Production | Elizabeth Bowen | EB
contributed a perceptive British Book News. British Council. (1952): 343 |
Textual Production | Elizabeth Jenkins | EJ
contributed an introduction to a volume, the seventh in John Lehmann
's The Chiltern Library, published in 1947 and containing two titles by Elizabeth Gaskell
. In her introduction to Thackeray
's Vanity... |
Textual Production | Virginia Woolf | VW
's final novel, Between the Acts, appeared posthumously from the Hogarth Press
. John Lehmann
had read the manuscript in March and announced it as forthcoming; she had then taken steps to withdraw... |
Textual Production | Amabel Williams-Ellis | Contributors included Nancy Cunard
, Winifred Holtby
, Storm Jameson
, Pamela Hansford Johnson
, Naomi Mitchison
, Sylvia Townsend Warner
, W. H. Auden
, John Lehmann
, and John Strachey
. |
Textual Production | Rosamond Lehmann | They first had to negotiate the response to their idea from Lehmann's brother John
, whose own magazine, New Writing, was already in the territory. They were then horrified by the layout, design, printing... |
Textual Production | Dorothy Wellesley | Under her editorship the list included Frances Cornford
, Joan Adeney Easdale
, Ida Graves
, Vita Sackville-West
, Margaret Thomas
(as editor), Julian Bell
, Cecil Day-Lewis
, John Lehmann
, F. L. Lucas |
Textual Production | Rose Macaulay | This was reprinted in 1951 by John Lehmann
in his Holiday Library
. British Book News. British Council. (1951): 634 |
Textual Production | Julia Strachey | JS
's acquaintance John Lehmann
issued a number of her texts: in addition to The Man on the Pier (1951), he published in the New Writing, in 1940 and 1942-3 respectively, Strachey's stories Fragments... |
Travel | Rosamond Lehmann | RL
and her brother John
, along with her husband Leslie Runciman
and his family, went on a cruise of the Mediterranean in the Runciman private yacht. Lehmann, John. In My Own Time. Little, Brown, 1969. 72-4 |
Wealth and Poverty | Margiad Evans | Money was always tight throughout ME
's life. She began her writing career relying on her father's tiny pension to supplement her earnings from intermittent paid work, and it was a problem for her when... |
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