Ezra Pound

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Standard Name: Pound, Ezra
EP , American poet, critic, editor, translator, and key figure in the literary modernist movement, lived in London from 1908 to 1921, in Paris from 1921 to 1924, and then in Italy until the end of the Second World War. His vociferous, antisemitic support for Italian fascism earned him thirteen years in a US hospital for the criminally insane. He worked from 1917 until near the end of his life on his massive and generically multiple epic poem Cantos, which he published in serial fragments.

Connections

Connections Author name Excerpt
Literary responses James Joyce
T. S. Eliot praised the book in the Athenæum for 4 July 1919; Ezra Pound wrote to Joyce that Bloom is a great man; Virginia Woolf wrote in her diary that the book reeled...
Literary responses Marianne Moore
Eliot assessed her in his introduction as the greatest living master of light rhyme, and as one of those few who have done the language some service in my lifetime.
qtd. in
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
Her brother wrote of The...
Literary responses T. S. Eliot
In the month this volume was published, Pound printed in The Egoist a rollicking article about the outrage Eliot's poetry was producing. Only genius, he wrote, not mere talent, infallibly evokes a torrent of elderly...
Literary responses May Sinclair
Pound thought the review very nobly done.
qtd. in
Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press, 2000.
201
Literary responses T. S. Eliot
During TSE 's last years he reaped a rich harvest of public honours, both in Britain and internationally. Since then his standing as leading poet of the modernist movement and dominant figure of twentieth-century English...
Literary responses Bryher
After reading the highly enthusiastic pamphlet, Lowell sent an appreciative message to Bryher, but expressed some (ultimately unfounded) concern about it in another letter to H. D. : the girl has insight and a good...
Literary responses Florence Farr
Dorothy Shakespear commented on the novel in a letter to Ezra Pound : Such a Sargasso Sea muddle. Every body divorced several times, & in the end going back to their originals: & a young...
Literary responses Natalie Clifford Barney
Ezra Pound reviewed the book in the October 1921 issue of Dial, writing that NCB had managed to publish with complete mental laziness a book of unfinished sentences and broken paragraphs, which is, on...
Literary responses Mary Butts
Although her work received mixed reviews, MB was generally recognized as an important if eccentric literary figure during her lifetime, and she was highly praised by other modernist writers, including Ezra Pound , Marianne Moore
Literary responses H. D.
Pound was particularly impressed with HD's work in 1912. He dubbed her on the spot with her own initials as a nom de plume, identified her as the Imagist figurehead, and set out to get...
Literary responses Jean Rhys
Critically, Rhys has been lauded as a modernist writer, a feminist writer, and, more recently, a postcolonial, Caribbean, or Creole writer. Biographer Carole Angier suggests that her preoccupation with exile was common in her time...
Literary responses Wendy Cope
Reviewer Andrew O'Hagan , however, applies a withering pen to WC in a tirade about a general style of anthology which is, he says, frivolous or aimed at the lifestyle or selfhelp markets. His complaint...
Literary responses H. D.
Ezra Pound dismissed HD's comment on Moore by saying that she could not write criticism. His own critique of Moore came two years later, and is often mentioned as if it had been the earliest...
Literary responses Arnold Bennett
AB 's reviews, combined with his visibly privileged lifestyle, did not help his reputation among younger writers (such as those in the Bloomsbury Group ) as a wealthy snob or a philistine. Wyndham Lewis attacked...
Literary responses H. D.
HD's prose fictions met with less critical success than the poetry which she had published hitherto. Their word-play, symbolic structures, and manipulation of myth were seen as arbitrary, as distractions from rather than as elements...

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