Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Helen Dunmore | HD
's many other writings include reviews (of both poetry and fiction), introductions (to the poems of Emily Brontë
, the stories of D. H. Lawrence
and F. Scott Fitzgerald
, and a study of... |
Intertextuality and Influence | Joanna Cannan | Alison Dunbar, lonely among her fashion-conscious and shopping-mad schoolmates, begins writing her pony story in exercise books (as was Cannan's own habit) and attains the apotheosis of acceptance by a publisher. She also sheds the... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann, 1994. 19 |
Intertextuality and Influence | Adrienne Rich | As usual with Rich, the six sections of this book fuse the poetic with the political (as reflected in her allusions to Gerard Manley Hopkins
, Walter Benjamin
, Homer
, Keats
). The first... |
Intertextuality and Influence | Philip Larkin | As an undergraduate Larkin was naturally still finding his voice. One poem dating from probably 1943 has its title and its lesbian topic from Charles Baudelaire
: Femmes Damnées. Larkin's poem of this title... |
Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Intertextuality and Influence | Julia Frankau | The narrator of this novel is a woman writer whose name is Jane, and who has a fussily loving sister called Ella. Jane is a Londoner, but, ill with neuritis (later described as consumption), she... |
Intertextuality and Influence | Jane Gardam | Most of these stories inhabit JG
's familiar territory among suburban women of a certain age, but other protagonists are very different: a dirty old tramp, a reluctant male homosexual, and, in the title story... |
Intertextuality and Influence | Denise Levertov | From the age of about seven DL
had a sense of vocation, thinking of herself as an artist-person and as having a destiny. She aspired after fame from the time that she first read... |
Intertextuality and Influence | Ali Smith | Autumn centres around the intergenerational friendship of 32-year-old art-history lecturer Elisabeth Demand and her childhood neighbour, the clever and lively Daniel Gluck, now 101 years old and quietly existing in a care home. Through silent... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Nan Shepherd | NS
's foreword mentions a great deal that has happened in the thirty years since this book was written, although those years are the flicker of an eyelid in the life of a mountain: the... |
Literary responses | Daphne Du Maurier | Rebecca was DDM
's best known work, earning her massive profits, and it has become one of the most widely read novels of all time. Kelly, Richard. Daphne du Maurier. Twayne, 1987. 66 |
Literary responses | Mary Tighe | When Thomas Moore
read Psyche he expressed his pleasure to MT
in a short lyric which calls her by the name of her protagonist, Psyche; at her death he eulogised her by the same... |
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