Women’s Writing in the British Isles from the Beginnings to the Present
Katharine Tynan
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Standard Name: Tynan, Katharine
Birth Name: Katharine Tynan
Nickname: Kate
Nickname: K. T.
Nickname: Katie
Married Name: Katharine Hinkson
Married Name: K. T. Hinkson
Married Name: Mrs H. A. Hinkson
The busy writing career of Irish nationalist poet, novelist, and journalist KT
spanned the late nineteenth and early twentieth centuries, driven partly by the need to support her family. Her more than 160 volumes include about a hundred novels (written primarily for women, many of them romance and some gothic), twenty-seven volumes of poetry (some of it inspired by Irish heritage, nationalism, and Catholicism), twenty-three collections of short stories, six volumes of autobiography, three volumes of sketches, a religious play, a book of axioms, and three volumes of biography or memoirs of other people.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Napier, Taura S., and Louise S. Napier. Seeking a Country: Literary Autobiographies of Twentieth-Century Irishwomen. University Press of America, 2001.
53
She selected and edited three poetry collections and a massive volume of Irish literature, all of them important in the Irish Literary Revival, which she helped to produce. Her non-fiction covers Irish history, work for children (including a religious text and a book on behaviour), and a collaboratively written book on flowers. As a journalist she turned out articles and sketches on social, political, and gender issues. She kept an unpublished diary, and a journal of the Great War.
Here VH
caught the attention of other journal editors, and she was soon writing a weekly column, Wares of Autolycus, for the Pall Mall Gazette (a column later taken on by Alice Meynell
and...
Publishing
Fanny Aikin Kortright
Towards the end of her memoirs FAK
notes that she wrote from the age of seventeen but did not earn until I was twenty-six.
Kortright, Fanny Aikin. The Recollections of My Long Life. Printed for the author by Farmer and Sons, 1896.
Her earliest publications were poems for the Guernsey Star (when she...
Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber, 1968.
158-9
Reception
Dora Sigerson
Katharine Tynan
and Eva Gore-Booth
compiled a collection of poems by other people entitled In Memoriam: Dora Sigerson
, 1918-1923, of which DS
's husband, Clement Shorter
, privately printed twenty-five copies.
Probably influenced by her friend and contemporary Katharine Tynan
, DS
's poems feature a shared traditional Irish symbolism and imagery. (Tynan was publishing two years before Sigerson.) Such techniques include the embodiment of Ireland...
Textual Features
Dora Sigerson
In response to the distress and despair of women, especially mothers, on the home front early in World War One, DS
prays: Comfort the women, Lord, my neutral prayer / May reach Thy pity where...
RMW
's leadership and personal aesthetics steered the periodical towards the arts, while still keeping intact established columns on domestic topics, such as gardening, needlework, cookery and fashion.
Hughes, Linda K. “A Female Aesthete at the Helm: Sylvia’s Journal and ’Graham R. Tomson’, 1893-1894”. Victorian Periodical Review, Vol.
DS
's close friend and fellow poet Katharine Tynan
introduced the volume with a tribute to Sigerson—although these poems represent a marked divergence in sentiment between the two poets on the subject of the war...
Textual Production
Oscar Wilde
Wilde shifted the magazine's focus from fashion and transformed it into an organ for women's opinions and feelings on the subjects of modern life, art, and literature, as well as style. He was also dedicated...
Textual Production
Maud Gonne
This was was the first women's paper published in Ireland. Among its contributors were Constance Markievicz
, Katharine Tynan
, MG
, and Molony.Gonne contributed several articles, though she frequently did so anonymously. She was...
Theme or Topic Treated in Text
Augusta Webster
During her tenure she encountered the very best and worst of late Victorian poetry. Her published reviews, which critic Marysa Demoor
characterises as expressing a hesitant modernism,
Demoor, Marysa. “Women Poets as Critics in the Athenæum: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, Vol.