Queen Elizabeth I
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Standard Name: Elizabeth I, Queen
Birth Name: Elizabeth Tudor
Royal Name: Elizabeth I
QEI
was a scholar by training and inclination (who wrote translations both as learning exercises and for recreation), as well as a writer in many genres and several languages. As monarch she wrote speeches, and all her life she wrote letters, poems, and prayers. (Some of these categories occasionally overlap.) Once her writing moved beyond the dutifulness of her youth, she had a pungent and forceful style both in prose and poetry.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Features | Josephine Tey | Like Richard of Bordeaux, this play follows the troubled career of a less-than-successful ruler and ends with a forced abdication. Daviot's realistic, balanced portrayal of Mary
went against conventional representations of the Queen as... |
Textual Features | Hilary Mantel | She is interested in hidden history, in apparently negligible people or objects whose historical significance is apparent only with hindsight, like the ginger-haired baby who would one day be known as Queen Elizabeth
or the... |
Textual Features | Leonora Carrington | The narrative is told in the first person to you, LC
's interlocutor Jeanne Megnen
, and divided into five journal or diary entries dated 23-27 August 1943. Across those entries LC
recounts her... |
Textual Features | Liz Lochhead | Mary makes Lochhead's usual exuberant use of Scottish English. LL
based Queen Elizabeth
's character on Margaret Thatcher
(the Thatcher monster). qtd. in Varty, Anne. “The Mirror and the Vamp: Liz Lochhead”. A History of Scottish Women’s Writing, edited by Douglas Gifford and Dorothy McMillan, Edinburgh University Press, 1997, pp. 641-58. 651 |
Textual Features | Maureen Duffy | While the present-day plot produces a series of surreal confrontations, it is punctuated by a string of glimpses into the past. These begin when Swanscombe Man (the prehistoric human whose bones are the earliest evidence... |
Textual Features | Mary Wollstonecraft | Though only about twenty percent of its extracts are written by women (the same proportion as from the Bible), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 501 |
Textual Features | Katherine Chidley | The title exhorts him to begin the new yeare, with new fruits of love, first to God, and then to his brethren. English Short Title Catalogue. http://estc.bl.uk/. |
Textual Features | Amelia B. Edwards | ABE
seizes the attention of her audience from her first paragraph with her claim that to the surprise of scholars, ancient Egyptian woman turns out to have been always free, respected, and in the full... |
Textual Features | Mary Hays | Though occasionally sketchy (it gives Elizabeth Elstob
, for instance, four lines), this is a work of real research, from a consistently feminist point of view. MH
investigates the question of women in power with... |
Textual Features | Elizabeth Elstob | |
Textual Features | Mary Robinson | |
Textual Features | Elizabeth Elstob | EE
's preliminary list of names suggests considerable research work: it includes several ancient or Anglo-Saxon women as well as Mary Astell
, Anne Bacon
, Katherine Chidley
(as the pamphlet antagonist of Thomas Edwards |
Textual Production | Lucy Aikin | With her Memoirs of the Court of Queen Elizabeth, published in two volumes, LA
launched her work in the particular style of history for which she is best known. Quarterly Review. J. Murray. 18: 542 |
Textual Production | Sydney Owenson Lady Morgan | She was working on the research for this novel before she married; the work was interrupted by her father's death in May 1812. After it she wrote: He was the object for which I laboured... |
Textual Production | Edith Sitwell | ES
published a second biography of a queen: Fanfare for Elizabeth. Fifoot, Richard. A Bibliography of Edith, Osbert and Sacheverell Sitwell. Second Edition, Revised, Rupert Hart-Davis, 1971. 59-60 |
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